The Standard Fabrics International, Inc. v. The Dress Barn Inc et al
Filing
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ORDER GRANTING IN PART AND DENYING IN PART PLAINTIFFS MOTION FOR SUMMARY JUDGMENT 26 AND GRANTING PLAINTIFFS APPLICATION TO FILE RECORDS UNDER SEAL 28 by Judge Otis D. Wright, II . (lc). Modified on 1/19/2017 (lc).
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United States District Court
Central District of California
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Case № 2:15-cv-08437-ODW (PJW)
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THE STANDARD FABRICS
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INTERNATIONAL, INC., a California
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corporation,
Plaintiff,
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v.
ORDER GRANTING IN PART AND
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DRESS BARN INC., a Connecticut
DENYING IN PART PLAINTIFF’S
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corporation; B&Y FASHION, INC., a
MOTION FOR SUMMARY
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California corporation; and DOES 1-10,
JUDGMENT [26] AND GRANTING
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inclusive,
PLAINTIFF’S APPLICATION TO
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Defendants.
FILE RECORDS UNDER SEAL [28]
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I.
INTRODUCTION
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Plaintiff The Standard Fabrics International Incorporated moves for partial
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summary judgment against Defendants Dress Barn Incorporated and B&Y Fashion
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Incorporated on the issue of infringement in this fabric-related copyright case. (ECF
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No. 26.) Having considered the parties’ submissions and heard oral argument, the
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Court GRANTS Plaintiff’s motion as to infringement and the Defendants’ defenses
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for failure to state a claim, latches, waiver, unclean hands, estoppel, lack of
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originality, invalidity of copyright registration, limitations on relief, fair use, statute of
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limitations, copyright misuse, and litigation and settlement privileged. The Court
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DENIES summary judgment as to Defendants’ “defenses” for failure to mitigate and
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innocent infringement, which relate to damages, an issue not addressed in the pending
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motion. The Court also GRANTS Plaintiff’s application to file its business records
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under seal. (ECF No. 28.)
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II.
FACTUAL BACKGROUND
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Plaintiff is a California-based textile company that prides itself on original
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“trendy, fashion forward” fabric designs. (Zakaria Decl. ¶ 2, ECF No. 26.) Plaintiff
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either creates or acquires by contract the rights to each of the fabric designs that it
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offers. (Id.) At issue in this case is an “Aztec-style,” “tribal” fabric design that
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Plaintiff acquired via contract from designer-for-hire Young Ae Rhee. (Id. ¶ 3.) After
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acquiring the art from Ae Rhee, Plaintiff formatted and finalized the art for textile
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applications. (Id.)
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Plaintiff then registered the design with the U.S. Copyright Office (Reg. No.
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VA 1-853-810). (Id. ¶ 4.) The effective date for the copyright registration is March
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18, 2013. (Id.) Plaintiff included the design in its Summer 2013 collection and has
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since sold 89,145 yards of fabric bearing the copyrighted design to a variety of
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customers “nationwide.”1 (Id. ¶¶ 4, 6.)
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At some point in 2015, Plaintiff discovered that Defendant Dress Barn was
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selling blouses on its website featuring a substantially similar fabric design and
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purchased two blouses as evidence of the sales. (Id. ¶ 5.) Defendant Dress Barn
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acquired these finished garments from Defendant B&Y Fashion, a wholesale garment
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company. (Burroughs Decl. Ex. 6, ECF No. 29.) Defendant B&Y Fashion acquired
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Defendants argue that this fact is disputed to the extent that it is derived from evidence lacking in
foundation. (Response to Plaintiff’s SUF ¶ 17, ECF No. 30.) However, the statement that Plaintiff’s
sold 89,145 yards of fabric has foundation: it is supported by Plaintiff’s business records.
(Burroughs Decl. Ex. 7 at 12, ECF No. 29.)
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these finished garments from Vietnamese producer, Trinh Vuong Company Limited
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(“Trinh”). (Id., Ex. 5)
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After discovering the blouses on Defendant Dress Barn’s website, Plaintiff
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determined that it had not supplied the fabric comprising the garments. (Id. ¶ 5.) On
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June 26, 2015, Plaintiff sent a cease and desist letter to Defendant B&Y Fashion.
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(Burroughs Decl. Ex. 3, ECF No. 26.) On October 28, 2015, Plaintiff filed the instant
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lawsuit for copyright infringement. (ECF No. 1.)
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The pending motion for partial summary judgment was filed on October 17,
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2016. (ECF No. 26.) Defendants filed their opposition on October 24, 2016. (ECF
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No. 30.) Plaintiff filed its reply on October 31, 2016.2 (ECF No. 32.) Hours after
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Defendants submitted their opposition, Plaintiff sent additional document production
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to Defendants via email. (See Reply, Ex. 10 at 67–241.) Included in this production
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were sales records for the relevant fabric design. (Id.) One of the records indicates
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that Plaintiff sold a quantity of the relevant fabric to an entity named Byer California.
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(Id. at 199.) This fabric was shipped to Byer’s manufacturer, Apple Fashion, in Ho
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Chi Minh City, Vietnam, the same city where Trinh is located. (Id.) Because these
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documents were only provided to Defendants after they submitted their opposition, the
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Court allowed Defendants an additional forty-five days of discovery to ascertain
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whether there was any link between manufacturer, Apple Fashions, and Trinh. (ECF
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No. 36.)
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Defendants deposed Plaintiff’s person most knowledgeable, its president, Jacob
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Zakaria, on January 4, 2017 (the final day of the supplemental discovery period), but
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otherwise did not take additional measures to uncover a link between Apple and
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Trinh.
(Cabanday Decl., Ex. A, ECF No. 40.)
Defendants submitted a report
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The Court has not considered the evidence attached to Plaintiff’s reply with the exception of the
business records that formed the basis of Defendants’ request for additional discovery. (See Reply,
Ex. 10 at 67–241); Provenz v. Miller, 102 F.3d 1478, 1483 (9th Cir. 1996) (finding that as a general
matter, evidence submitted with a reply should not be considered).
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outlining their additional discovery on January 11, 2017. (ECF No. 39.) Plaintiffs
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filed a responsive brief on January 18, 2017. (ECF No. 42.)
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III.
LEGAL STANDARD
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A motion for summary judgment shall be granted “if the pleadings, the
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discovery and disclosure materials on file, and any affidavits show that there is no
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genuine issue as to any material fact and that the movant is entitled to judgment as a
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matter of law.” Fed.R.Civ.P. 56(c). There is a genuine issue of material fact when the
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evidence is such that a reasonable jury could find for the nonmoving party. See
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Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248–49 (1986).
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The moving party bears the initial burden of pointing out that there is an
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absence of evidence to support the nonmoving party’s case. Celotex Corp. v. Catrett,
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477 U.S. 317, 323 (1986). “However, if the nonmoving party bears the burden of
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proof on an issue at trial, the moving party need not produce affirmative evidence of
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an absence of fact to satisfy its burden.” St. Paul Fire & Marine Ins. Co. v. Fort
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Vancouver Plywood Co. (In re Brazier Forest Prods., Inc.), 921 F.2d 221, 223 (9th
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Cir. 1990) (citation omitted). Instead, the moving party “may simply point to the
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absence of evidence to support the nonmoving party’s case.” Id.; see also Fairbank v.
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Wunderman Cato Johnson, 212 F.3d 528, 532 (9th Cir. 2000) (holding that a moving
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party that does not carry the burden of proof at trial can make the initial Celotex
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showing by “pointing out through argument—the absence of evidence to support [the
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nonmoving party’s] claim.”).
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After the moving party meets its initial burden of showing that there is an
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absence of evidence to support the nonmoving party’s case, “the nonmoving party
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must then make a sufficient showing to establish the existence of all elements
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essential to their case on which they will bear the burden of proof at trial.” St. Paul
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Fire, 921 F.2d at 223. The nonmoving party “may not rest upon the mere allegations
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or denials of the adverse party’s pleading, but must provide affidavits or other sources
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of evidence that set forth specific facts showing that there is a genuine issue for trial.”
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Devereaux v. Abbey, 263 F.3d 1070, 1076 (9th Cir. 2001).
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inferences therefrom will be viewed in the light most favorable to the non-moving
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party. Matsushita Elec. Indus. Co., Ltd. v. Zenith Radio Corp., 475 U.S. 574, 587
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(1986); Valandingham v. Bojorquez, 866 F.2d 1135, 1137 (9th Cir. 1989).
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IV.
Evidence and the
DISCUSSION
A. COPYRIGHT INFRINGEMENT
To establish copyright infringement, a plaintiff must prove: (1) ownership of a
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valid copyright; and (2) infringement.
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CV1400048TJHAJWX, 2015 WL 10939901, at *1 (C.D. Cal. May 12, 2015) (citing
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See Acmet, Inc. v. Wet Seal, Inc., No.
L.A. Printex Indus., Inc. v. Aeropostale, Inc., 676 F.3d 841, 846 (9th Cir. 2012)).
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1. Ownership
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Plaintiff first moves for summary judgment on the issue of ownership. (Mot.
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4.) Valid registration with the copyright office shall serve as prima facie evidence of
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ownership.
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establishes valid registration it is presumed to own the copyright. L.A. Printex Indus.,
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Inc. v. Aeropostale, Inc., 466 F. App’x 590, 591 (9th Cir. 2012). The presumption
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may be rebutted with evidence of fraud on the copyright office or evidence that the
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work does not possess the requisite level of originality. See United Fabrics Int’l, Inc.
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v. C&J Wear, Inc., 630 F.3d 1255, 1259 (9th Cir. 2011); see also Express, LLC v.
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Fetish Grp., Inc., 424 F. Supp. 2d 1211, 1217 (C.D. Cal. 2006). In the absence of
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evidence to rebut the presumption, a plaintiff has established ownership. ITC Textile,
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Ltd. v. Wal-Mart Stores, Inc., 606 F. App’x 356, 357 (9th Cir. 2015).
17 U.S.C. § 410(c).
Procedurally, this means that when a party
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Plaintiff has submitted an uncontested registration certificate from the copyright
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office for the work in question. (Zakaria Decl. Ex. 1.) Based on this evidence,
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Defendants concede ownership.
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summary judgment on the issue of ownership.
(Opp’n 5.)
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Therefore, Plaintiff is entitled to
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2. Infringement
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Infringement itself involves a two-part test: (1) whether the alleged infringer
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had access to the work and (2) whether the infringing work is substantially similar to
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the copyrighted work. L.A. Printex, 676 F.3d at 846.
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a. Access
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Proof of access requires an opportunity to view or copy the work. Id. This
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element may be satisfied using direct or circumstantial evidence such as a chain of
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events linking the plaintiff’s work with the defendant’s access or by showing
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widespread dissemination of the plaintiff’s work. See Star Fabrics, Inc. v. Target
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Corp., No. CV 10-07987 DDP AGRX, 2011 WL 4434221, at *2 (C.D. Cal. Sept. 22,
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2011) (citing Art Attacks Ink, LLC v. MGA Entm’t Inc., 581 F.3d 1138, 1143 (9th Cir.
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2009)). Alternatively, access may be established by showing a “striking similarity,”
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in essence that the protected work and the infringing work are so similar that copying
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can be the only reasonable explanation for the similarity. Acmet, 2015 WL 10939901,
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at *2 (citing Three Boys Music Corp. v. Bolton, 212 F.3d 477, 485 (9th Cir. 2000)).
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Here, access is established by striking similarity. The fabric incorporated into
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Defendants’ garments is so similar to Plaintiff’s copyrighted work that it could not
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possibly have been the product of independent creation. The design at issue is highly
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original in that it is a random collection of shapes and patterns without any attempt to
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imitate real life images such as flowers or animals. As the work is not based on
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recognizable objects but rather on an arbitrary, abstract design, the level of similarity
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is both surprising and telling.
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Going from top to bottom, Plaintiff’s work features five half-moon shaped
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objects bisected by three lines. Below this motif is a jagged line with five inset dots.
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Under this jagged line is a tree-like structure with an inset fourteen-sided geometric
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shape in its canopy. Below the canopy of the tree-like structure are two eye-like
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structures each with a black inset geometric design. Underneath the base of the tree-
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like structure is an upside-down pyramid.
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Below this pyramid are two squares.
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Beneath these squares are three broken lines. Flanking either side of the tree-like
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structure’s canopy is a single diamond surrounded by smaller dots. Flanking the
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middle section of the tree-like structure are three diamonds extending horizontally.
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Below these diamonds are two long wavering lines that span the remainder of the
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design. Inside of these lines, below the tree-like structure’s base, on either side of the
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pyramid-like structure, is a geometric symbol followed by three descending diamonds.
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Defendants’
Plaintiff’s
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The fabric design incorporated into Defendants’ garments has all the structural
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elements of Plaintiff’s protected design. The only discernable differences between the
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allegedly infringing design and the protected design are that the jagged line in the
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allegedly infringing design appears to be slightly more textured and worn, and the
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wavering lines in the allegedly infringing design appear to be slightly less defined.
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These details are insignificant in light of the complexity of the design and are only
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perceptible with significant scrutiny.
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copyright defendant need not copy a plaintiff’s work in its entirety to infringe that
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work.
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plaintiff’s work.”)
See L.A. Printex, 676 F.3d at 852 (“[A]
It is enough that the defendant appropriated a substantial portion of the
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The spacing between the structural elements and the distressed nature of the
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print in both the protected design and the allegedly infringing design are also similar,
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giving the works the same overall concept and feel. In sum, the protected design and
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the allegedly infringing design are so similar that copying can be the only logical
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explanation. Accordingly, Plaintiffs are entitled to summary judgment on the issue of
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access.
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b. Substantial Similarity
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To establish substantial similarity, the Court must apply both the extrinsic and
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intrinsic tests. The extrinsic test is an objective comparison of specific expressive
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elements; it focuses on the articulable similarities between the two works. Id. The
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intrinsic test is a subjective comparison that focuses on whether a reasonable person
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would find the works substantially similar in total concept and feel. Id.
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Summary judgment on the issue of substantial similarity has traditionally been
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disfavored. Spectravest, Inc. v. Mervyn’s Inc., 673 F. Supp. 1486, 1492 (N.D. Cal.
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1987).
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identical” that “no ordinary observer or reasonable juror could fail to conclude that the
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works are substantially similar” a court may nonetheless grant summary judgment.
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Star Fabrics, 2011 WL 4434221, at *3; Twentieth Century-Fox Film Corp. v. MCA,
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Inc., 715 F.2d 1327, 1330 (9th Cir. 1983).
That being said, in instances where the “works are so overwhelmingly
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The extrinsic test involves analyzing the individual elements of a design for
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substantial similarity. L.A. Printex, 676 F.3d at 848. As described above in the
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striking similarity analysis, the structural elements of the fabric incorporated in
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Defendants’ garments and the structural elements of the protected design are
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effectively the same. Further, Defendants have failed to identify in their opposition or
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present any evidence of specific elements that meaningfully differentiate the fabric
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design incorporated into their garments from Plaintiff’s protected design.
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The intrinsic test examines the designs in their totality through the eyes of a
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“reasonable” person.
Id. at 852.
As described above in the striking similarity
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analysis, the total concept and feel of the designs is the same. The positioning and
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layout of the individual elements of the design, the spacing between those elements,
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the distressed nature of the print, and the Aztec-centric theme are “overwhelmingly
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identical.” See Twentieth Century–Fox, 715 F.2d at 1330. Therefore, the Court finds
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Plaintiff is entitled to summary judgment on the issue of substantial similarity.
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B. Defenses
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1. FIRST SALE DEFENSE
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a. Background
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Liability for copyright infringement is not limited to the direct copier; a buyer
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who in good faith (or bad faith) buys an infringing work and then resells that work
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remains liable for infringement. See 17 U.S.C. § 106(3) (copyright owner has the
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right to control initial distribution); 17 U.S.C. § 602 (unauthorized importation also
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constitutes infringement); 17 U.S.C. § 109(a) (no protection provided for the buyer of
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a copy unlawfully made); United States v. Liu, 731 F.3d 982, 988 (9th Cir. 2013) (“In
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a civil suit, liability for copyright infringement is strict.”); see also Shyamkrishna
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Balganesh, Copyright and Good Faith Purchasers, 104 Cal. L. Rev. 269, 288–289
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(2016). However, the first sale doctrine provides an exception to this downstream
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liability.
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The first sale doctrine is an affirmative defense that allows the owner of “a
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particular copy” of a protected work that was “lawfully made,” to sell or distribute the
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copy without permission of the copyright holder. Adobe Sys. Inc. v. Christenson, 809
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F.3d 1071, 1076 (9th Cir. 2015). The first sale doctrine is not applicable where the
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original “purchaser” of the work merely obtains a license over the copyrighted work
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rather than full ownership of the copyrighted work. Id. at 1078.
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The burden is traditionally on the party asserting the defense to produce
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evidence sufficient to sustain that defense at trial. Id. The Ninth Circuit has found
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that the first sale doctrine is a defense like any other and therefore the burden should
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be on the infringing party to establish the defense at trial. Id. at 1079.
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b. Application
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Here, Defendants claim that it is likely Trinh obtained the fabric legally from
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Plaintiff, and thus as downstream buyers of finished garments incorporating that
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fabric, they are protected by the first sale defense. (Opp’n 7.) As the burden is on the
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non-movant in this instance to establish the defense at trial, the first question is
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whether Plaintiff has pointed out “to the district court–that there is an absence of
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evidence to support the nonmoving party’s case.” Novelty Textile Inc. v. Wet Seal
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Inc., No. CV1305527SJOMRWX, 2014 WL 10987396, at *2 (C.D. Cal. Sept. 9,
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2014) (citing Celotex, 477 U.S. at 325.)
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Plaintiff has clearly and definitively met its initial burden. Plaintiff has broadly
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indicated in its motion for summary judgment that Defendants’ defenses, including
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the first sale defense, are “frivolous” and “conclusively fail.”
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Addressing the first sale defense specifically, Plaintiff asserts in its motion that the
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evidence “reflects that Standard never abandoned its rights nor did it provide
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Defendants consent, implied license, or authorization to use the Subject design in any
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way.” (Mot. 15.) (emphasis added). Plaintiff is even clearer in its reply “[t]here is no
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evidence in the record to support the affirmative defense of first-sale doctrine.”
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(Reply 4.)
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“Defendants do not, and cannot, offer any evidence to support any of the requisite
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elements to prove a first sale defense.” (Id.) This identification of an absence of facts
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to support a lawful first sale is sufficient to shift the burden to Defendants to provide
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extrinsic evidence of a lawful first sale. See Novelty Textile Inc., 2014 WL 10987396,
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at *2 (citing Celotex, 477 U.S. at 325); Adobe, 809 F.3d at 1079.
(Mot. 14–15.)
Plaintiff reiterates several more times throughout the reply that
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Defendants have not met their burden to show a genuine dispute of fact as to the
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fabric’s lawful acquisition. Defendants appear to make two distinct arguments (1) that
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Trinh itself acquired the fabric from Plaintiff and/or (2) that Trinh acquired the fabric
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legally from one of Plaintiff’s customers. (See generally Opp’n 7; Discovery Report
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2–3, ECF No. 39.)
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The Court turns first to the question of whether there is any evidence that
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Plaintiff sold the relevant fabric directly to Trinh. Plaintiff’s records do not show any
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fabric sales to Trinh and Plaintiff’s president, Jacob Zakaria, testified that Plaintiff
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never sold any of the relevant fabric to Trinh. (Reply, Ex. 10, 67–241; Zacaria Dep.
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29:3–29:9, ECF No. 40.)
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otherwise. Therefore, that avenue is definitively foreclosed.
Defendant has not produced any evidence to suggest
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The Court next turns to the question of whether another legitimate purchaser of
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the relevant fabric could have sold the fabric to Trinh. After thoroughly reviewing the
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record, the only apparent link between any legitimate purchaser and Trinh is that Byer
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California’s manufacturer, Apple Fashion, and Trinh both happen to be located in Ho
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Chi Minh City, Vietnam. (Burroughs Decl., Ex. 5 at 1, ECF No. 29; Reply, Ex. 10 at
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199.) This connection, by itself, is insufficient to raise a genuine issue of fact.
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Defendants argue in their January 11, 2017 discovery report that they would
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have uncovered a link between legitimate purchasers of the relevant fabric and Trinh
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if Zakaria had been properly prepared for his person most knowledgeable deposition.
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(Discovery Report 1–2.) Specifically, Defendants argue that Zakaria should have
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independently investigated “whether Apple and Trinh were related” and investigated
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generally whether “[Plaintiff’s] customers sold fabric to B&Y.” (Id. at 1.)
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The Court does not find such preparatory measures are required by Rule
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30(b)(6).
Under this subsection, the deponent in a person most knowledgeable
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deposition need only be prepared to testify about information known or reasonably
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known to the corporation. Fed. R. Civ. P. 30(b)(6). Courts have generally interpreted
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this to mean that the deponent must review the corporation’s records and any previous
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deposition materials. Great Am. Ins. Co. of N.Y. v. Vegas Const. Co., 251 F.R.D. 534,
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539 (D. Nev. 2008); Bd. of Trustees of Leland Stanford Junior Univ. v. Tyco Int’l Ltd.,
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253 F.R.D. 524, 526 (C.D. Cal. 2008); Calzaturficio S.C.A.R.P.A. s.p.a. v. Fabiano
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Shoe Co., 201 F.R.D. 33, 37 (D. Mass. 2001). In other words, the deponent, with the
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corporation’s assistance, must conduct a robust internal investigation of the topics
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contained in the deposition notice to prepare for the deposition.
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However, the Court is unaware of any case requiring the deponent to conduct
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an external investigation into the activities of unrelated3 third parties in preparation for
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a person most knowledgeable deposition. Such information cannot be considered
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“reasonably known” to the corporation. Fed. R. Civ. P. 30(b)(6).
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It is valuable to step back and objectively consider exactly what Defendants’
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proposed investigations would require of Plaintiff. Defendants suggest that Plaintiff
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should have conducted an investigation into the relationship between one of its
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customer’s manufacturers (Apple Fashion), and a Vietnamese company with which it
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appears to have no prior dealings (Trinh). (Discovery Report 1–2.) Defendants next
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suggest that Plaintiff should have conducted an investigation into each of the
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approximately one hundred legitimate purchasers of the relevant fabric to determine
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whether they “sold fabric to B&Y.” (Id.; see also Burroughs Decl. Ex. 7, ECF No.
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29; Reply, Ex. 10 at 67–241.) These proposed investigations extend well beyond
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what Rule 30(b)(6) requires and impermissibly shift Defendants’ discovery
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responsibilities to Plaintiff.
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In summary, Defendants have not met their burden to show lawful acquisition.
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The Court allowed Defendants forty-five days of supplemental discovery to explore a
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relationship between Apple Fashion and Trinh. (ECF No. 36.) Despite the fact that
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Defendants have Apple Fashion’s contact information and maintain a business
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relationship with Trinh, there is no evidence they so much as contacted either entity.
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(Reply, Ex. 10 at 199.) Further, Defendants’ person most knowledgeable deposition
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did not yield any new information of relevance. Based on these facts, the Court sees
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The only instance in which some courts have required a deponent to have knowledge of a third
party’s activities is where the third party is a parent or subsidiary the deponent’s corporation. See,
e.g., Murphy v. Kmart Corp., 255 F.R.D. 497, 509 (D.S.D. 2009). In this instance, Plaintiff’s
customers, Apple Fashion, and Trinh are not parents or subsidiaries of Plaintiff.
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no reason to allow for an additional supplemental discovery period.4 Plaintiff is
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entitled to summary judgment on the first sale defense.
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2. OTHER AFFIRMATIVE DEFENSES
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Defendants have also failed to produce any evidence in support of their
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defenses for failure to state a claim, latches, waiver, unclean hands, estoppel, lack of
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originality, invalidity of copyright registration, limitations on relief, fair use, statute of
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limitations, copyright misuse, and litigation and settlement privileged.5
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¶¶ 36–48, ECF No. 11.) These defenses are completely unsupported by the evidence
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of record.
(Answer
The Court finds Plaintiff is entitled to summary judgment on those
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defenses. The Court will not however, grant Plaintiff summary judgment on the
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“defenses” of failure to mitigate and innocent infringement as these “defenses” relate
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to damages, an issue not addressed in the pending motion.
Lastly, Defendants appear to argue for a license defense in their opposition.
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(Opp’n 2–4.)
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(Answer ¶¶ 36–48.) Therefore, they may not raise it now in their opposition. See
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Fed. R. Civ. P. 8(c) (indicating that the affirmative defense of license must be raised
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in an answer); Worldwide Church of God v. Philadelphia Church of God, Inc., 227
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F.3d 1110, 1114 (9th Cir. 2000) (finding that a license defense must be plead in
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answer). Further, as Plaintiffs point out, there is no evidence to suggest that Trinh,
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Defendant B&Y Fashion, or Defendant Dress Barn possessed a license. (Reply 9–10.)
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However, Defendants did not raise this defense in their answer.
V.
CONCLUSION
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In light of the foregoing, the Court GRANTS Plaintiff’s motion as to
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infringement and the Defendants’ defenses for failure to state a claim, latches, waiver,
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unclean hands, estoppel, lack of originality, invalidity of copyright registration,
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Less discussed by the parties, but no less important to the first sale defense analysis, is Zakaria’s
testimony that Defendant Dress Barn sold a “colorway” or color combination of the relevant fabric
that Plaintiff never manufactured. (Zakaria Dep. 18:7–18:12.) This fact, which Defendants have not
made any attempt to explain, would seemingly make it impossible that legitimate fabric sold by
Plaintiff was used to manufacture Defendants’ garments.
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Defendants do not even discuss these affirmative defenses in their opposition.
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limitations on relief, fair use, statute of limitations, copyright misuse, and litigation
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and settlement privileged. The Court DENIES summary judgment as to Defendants’
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“defenses” for failure to mitigate and innocent infringement, which relate to damages,
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an issue not addressed in the pending motion. The Court also GRANTS Plaintiff’s
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application to file its business records under seal. (ECF No. 28.)
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IT IS SO ORDERED.
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January 19, 2017
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____________________________________
OTIS D. WRIGHT, II
UNITED STATES DISTRICT JUDGE
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