Disney Enterprises, Inc. et al v. Hotfile Corp. et al
ORDER granting in part and denying in part 50 Motion to Dismiss; denying as moot 51 Motion for Hearing. Signed by Judge Adalberto Jordan on 7/8/2011. (lh)
UNITED STATES DISTRICT COURT
SOUTHERN DISTRICT OF FLORIDA
CASE NO. 11-20427-CIV-JORDAN
DISNEY ENTERPRISES, INC. et al.,
HOTFILE CORP. et al.,
ORDER ON MOTION TO DISMISS
As explained below, Hotfile Corp.’s and Anton Titov’s motion to dismiss [D.E. 50] is
GRANTED IN PART AND DENIED IN PART ,
Count I of the complaint is
and the motion for a hearing [D.E. 51] is DENIED AS MOOT .
DISMISSED WITHOUT PREJUDICE .
Hotfile and Mr. Titov shall answer
Count II by July 22, 2011.
I. LEGAL STANDARD
To survive a motion to dismiss under Rule 12(b)(6), the plaintiff must plead “either direct
or inferential allegations respecting all the material elements necessary to sustain a recovery under
some viable legal theory.” Roe v. Aware Woman Ctr. for Choice, Inc., 253 F.3d 678, 683 (11th Cir.
2001). The court must limit its consideration to the complaint. See GSW, Inc. v. Long County, 999
F.2d 1508, 1510 (11th Cir. 1993). The factual allegations are accepted as true and all reasonable
inferences from these allegations are drawn in the plaintiff’s favor. See Roberts v. Fla. Power &
Light Co., 146 F.3d 1305, 1307 (11th Cir. 1998). The plaintiff, however, must allege more than
“labels and conclusions.” Fin. Sec. Assurance, Inc. v. Stephens, Inc., 500 F.3d 1276, 1282 (11th Cir.
2007) (citing Bell Atl. Corp. v. Twombly, 550 U.S. 544, 554–55 (2007)). The factual allegations in
the complaint must “possess enough heft” to set forth “a plausible entitlement to relief.” Id.
II. FACTUAL ALLEGATIONS
The plaintiffs, Disney Enterprises, Inc., Twentieth Century Fox Film Corp., Universal
Studios Productions LLLP, Columbia Pictures Industries, Inc., and Warner Bros. Entertainment Inc.,
are motion-picture studios [D.E. 1 ¶ 15]. As motion-picture studios, they create and distribute films,
for which they own the copyrights [Id. ¶¶ 15–16].
Hotfile Corp. is a Panamanian corporation that operates the website www.hotfile.com [Id.
¶¶ 1, 17]. Anton Titov runs Hotfile [Id. ¶ 18].
A visitor to hotfile.com can upload electronic files to the website. That information is then
stored on Hotfile’s servers, on which Hotfile can save and host millions of files. The visitor, in turn,
receives a unique link that begins with hotfile.com—say, hotfile.com/123 [Id. ¶ 20]. The Hotfile
servers then make five more copies of the uploaded files, and each copy receives a unique link [Id.
¶ 38]. This link acts as a locator, allowing anyone with the link to click it or to plug it into a web
browser and then to download the file originally uploaded. Anyone downloading the file has two
options: she can download it for free at regular speed or, if she is a paying member of Hotfile,
download it at high speeds [Id. ¶ 21].
Hotfile controls its physical premises, its servers, its databases, and the software that manages
the website. As a result, it can remove any uploaded files or prevent the files from being uploaded
in the first place. Similarly, Hotfile can block anyone’s access to hotfile.com and even reserves the
right to do so [Id. ¶ 23]. Still, third-party sites, not Hotfile, spread the links that allow persons to
download the files [Id. ¶22].
Hotfile makes a profit in two ways. First, although anyone can use a link to download a file,
Hotfile makes a profit by charging members, who can download files much faster than those who
are not members. Members, moreover, can download many files simultaneously; non-members may
only download one file every 30 minutes [Id. ¶ 24]. Second, Hotfile sells what it calls “hotlinks.”
Hotlinks allow third-party sites to post a link that, when clicked, automatically begins to download
the file, without ever directing the person who clicked the link to hotfile.com [Id. ¶ 26].
Of course, Hotfile earns more money as its rank of members grow. To increase its number
of members, Hotfile pays users to upload the most popular content to its servers and asks that the
users promote their links [Id. ¶ 28]. Hotfile’s affiliate program, for example, pays those uploading
files cash when the file is downloaded 1000 times [Id. ¶ 29]. And the payment scheme awards those
who upload highly popular and large files more than those who upload highly popular but not-solarge files [Id. ¶ 31]. Finally, if a non-member clicks a link and decides to join Hotfile as a member,
Hotfile gives the person who uploaded the file a “credit” [Id. ¶ 30]. Mr. Titov designed this business
model and, indeed, has personally paid some of Hotfile’s uploading users [Id. ¶ 45].
Hotfile’s business model deals similarly with third-party sites that post links directing users
to Hotfile-hosted content [Id. ¶ 35]. Specifically, Hotfile pays third-party sites when a user who
clicked on a link on the third-party site then becomes a Hotfile member [Id.]. Mr. Titov created this
business plan too [Id. ¶ 45].
Popularity may very well be “glory’s small change,” VICTOR HUGO , RUY BLAS act 3, sc. 5
(1838), but popular links generated big profits for Hotfile. And the most popular links, according to
the complaint, are those that contain material with copyrights. As a result of their popularity,
copyright-infringing files constitute the bulk of files downloaded through Hotfile [Id. ¶ 25].
Consequently, Hotfile’s business encourages persons to upload material with copyright protection,
including the plaintiffs’ films [Id. ¶ 34]. Hotfile understands the consequence of its business model
[Id.]. It is not difficult for Hotfile to correct the rampant infringement, for it has easy means to
control the infringement, such as keyword filtering and audio fingerprinting [Id. ¶ 40].
Incapable of preventing the massive infringement allegedly occurring on hotfile.com, the
plaintiffs sued Hotfile and Mr. Titov for direct and secondary copyright infringement.
III. LEGAL ANALYSIS
Hotfile and Mr. Titov argue that the plaintiffs have failed to state a cause of action for either
direct or secondary copyright infringement. I agree that the complaint does not state a cause of action
for direct infringement, but disagree with the contention that it fails to properly plead secondary
A. DIRECT INFRINGEMENT
When it comes to copyrighted film, a copyright owner “has the exclusive rights to” reproduce
it, make derivative material based on it, distribute it, and display it. See 17 U.S.C. § 106 (2006).
“Anyone who violates any of [these] exclusive rights of the copyright owner . . . is an infringer of
the copyright . . . .” 17 U.S.C. § 501. Where a plaintiff shows that he owns a valid copyright and that
the other party copied some of the protected elements of that work, he has shown direct infringement
of his copyright. See Saregama India Ltd. v. Mosley, 635 F.3d 1284, 1290 (11th Cir. 2011). In
Religious Technology Center v. Netcom On-Line Communication Services, 907 F. Supp. 1361, 1370
(N.D. Cal. 1995), the court noted that, “[a]lthough copyright is a strict liability statute, there should
still be some element of volition or causation which is lacking where a defendant’s system is merely
used to create a copy by a third party.” As the Netcom court saw it, making an internet company
liable for direct copyright infringement simply because it gave users access to copyrighted material
posted by others “would create unreasonable liability.” Id. at 1372.
Since then, Netcom has become the standard in cases alleging that an internet company is
infringing a plaintiff’s copyright. For example, in CoStar Group v. Loopnet Inc., 373 F.3d 544, 550
(4th Cir. 2004), the Fourth Circuit Court of Appeals agreed with Netcom’s reasoning:
[T]o establish direct liability [for copyright infringement] . . .
something more must be shown than mere ownership of a machine
used by others to make illegal copies. There must be actual infringing
conduct with a nexus sufficiently close and causal to the illegal
copying that one could conclude that the machine owner himself
trespassed on the exclusive domain of the copyright owner. The
Netcom court descirbed this nexus as requiring some aspect of
The Fourth Circuit is not alone in approving Netcom. See, e.g., Cartoon Network LP v. CSC
Holdings, Inc., 536 F.3d 121, 130–33 (2d Cir. 2008); Parker v. Google, Inc., 422 F. Supp. 2d 492,
497–98 (E.D. Pa. 2006); Marobie-Fl, Inc. v. Nat’l Ass’n of Equip. Distribs. & Nw. Nexus, Inc., 983
F. Supp. 1167, 1178 (N.D. Ill. 1997). See also MGM Studios Inc. v. Grokster, Ltd., 545 U.S. 912,
929–30 (2005) (“When a widely shared service or product is used to commit infringement, it may
be impossible to enforce rights in the protected work effectively against all direct infringers, the only
practical alternative being to go against the distributor of the copying device for secondary liability
on a theory of contributory or vicarious infringement.” (emphasis added)). Thus, the law is clear that
Hotfile and Mr. Titov are not liable for direct copyright infringement because they own and manage
internet facilities that allow others to upload and download copyrighted material. See CoStar, 373
F.3d at 550; Parker, 422 F. Supp. 2d at 497.
Here, as the complaint alleges, the website hotfile.com merely allows users to upload and
download copyrighted material without volitional conduct from Hotfile or Mr. Titov. To be sure, Mr.
Titov and Hotfile allegedly encourage the massive infringement. Yet nothing in the complaint alleges
that Hotfile or Mr. Titov took direct, volitional steps to violate the plaintiffs’ infringement. There
are no allegations, say, that Hotfile uploaded copyrighted material. Therefore, under the great weight
of authority, the plaintiffs have failed to allege direct copyright infringement.
Citing numerous cases, the plaintiffs argue that, Netcom notwithstanding, they have alleged
a direct–copyright-infringement claim by alleging that Hotfile created a business plan that induced
infringement. These cases, however, are either inapposite or unpersuasive.
For instance, in some of the cases cited by the plaintiffs, rather than having users upload the
copyrighted material, the defendant took a volitional act, i.e., uploading the copyrighted work itself
or using software to search for material to upload. See N.Y. Times Co. v. Tasini, 533 U.S. 483, 489
(2001) (“The Print Publisher codes each article to facilitate computerized retrieval, then transmits
it in a separate file. After further coding, LEXIS/NEXIS places the article in the central discs of its
database.”); Playboy Enters. v. Webbworld, Inc., 991 F. Supp. 543, 549 (N.D. Tex. 1997)
(“Defendant Ellis selected the particular adult-oriented newsgroups to be downloaded. . . . The heart
of the Webbworld operation was ‘ScanNews,’ software that . . . took the news feed, discarded most
of the text, and retained the sexually oriented images.”), aff’d, 168 F.3d 486 (5th Cir. 1999) (per
curiam); Playboy Enters. v. Russ Hardenburgh, Inc., 982 F. Supp. 503, 510 (N.D. Ohio 1997)
(“RNE employees viewed each and every photograph that was uploaded onto the system, and then
moved those photographs that were not discarded from the upload file to the central files where they
became available to RNE customers.”). And in others, the courts explicitly recognized that their
opinions did not apply to the situation where, as here, a website or internet facility uploads material
automatically at the direction of a user. See Perfect 10, Inc. v. Amazon.com, Inc., 508 F.3d 1146,
1160 n.6 (9th Cir. 2007) (“Because Google initiates and controls the storage and communication of
these thumbnail images, we do not address whether an entity that merely passively owns and
manages an Internet bulletin board or similar system violates a copyright owner’s display and
distribution rights when the users of the bulletin board or similar system post infringing works.”).
Thus, none of these cases are applicable here, where, as in Netcom, the internet system allows users
to automatically upload or download copyright material.
The plaintiffs cite two cases that support their argument that Hotfile and Mr. Titov, by
creating a plan that induced infringement, are liable for direct copyright infringement. I find neither
case, however, persuasive.
In Capitol Records, Inc. v. Mp3Tunes, LLC, No. 07-cv-9931, 2009 WL 3364036, at *3
(S.D.N.Y. Oct. 16, 2009), one court, without much analysis, held that a company’s knowledge of
massive infringement plausibly alleged volitional conduct. Similarly, in Arista Records LLC v.
Usenet.com, Inc., 633 F. Supp. 2d 124, 148 (S.D.N.Y. 2009), another court held that a company,
with a policy encouraging infringement plus the ability to stop that infringement, was liable for direct
copyright infringement. These two cases, then, support the plaintiffs argument. I nonetheless believe
that these cases were not correctly decided. First, Arista Records held that a policy encouraging
infringement coupled with an ability—but refusal—to stop the massive infringement gave rise to a
volitional act. But this conclusion ignores the language of Netcom and other cases following Netcom.
As the Fourth Circuit put it, “knowledge coupled with inducement” or “supervision coupled with
a financial interest in the illegal copying” gives rise to secondary liability, not direct-infringement
liability. See CoStar, 373 F.3d at 549. Second, Capitol Records, for its part, had no analysis and
simply cited Arista Records and Russ Hardenburgh as authority for its holding. See 2009 WL
3364036, at *3. But, as already explained, the defendant in Russ Hardenburgh committed a direct,
volitional act by having its employees upload the copyrighted material to its server, see 982 F. Supp.
at 510, and Arista Records was (in my view) wrongly decided. Accordingly, Arista Records and
Capitol Records are unconvincing.
The plaintiffs next argue that Netcom, Cartoon Network, and the other cases extending
Netcom do not apply here because those cases concerned the right to reproduce copyrighted material,
not the right to distribute copyrighted material, and the plaintiffs are suing for violation of their right
to distribute their copyrighted material. Netcom therefore does not apply, the plaintiffs say. This
argument too is unconvincing.
Netcom is not as limited as the plaintiffs believe. The Netcom court, for instance, stated that
it considered the copyright holder’s right to distribution in its analysis. See 907 F. Supp. at 1372.
And other courts have similarly applied Netcom where a defendant allegedly violated a copyright
holder’s right to distribute the material. See, e.g., Marobie-Fl, 983 F. Supp. at 1178. Hence, to the
extent that the plaintiffs assert that Netcom applies only where a defendant violates a copyright
holder’s right to reproduce—but not to distribute—that assertion is incorrect.
Finally, the plaintiffs contend that they have alleged a volitional act because they allege that
hotfile.com makes additional copies once the copyrighted material is uploaded to the server. This
argument too fails, for courts have repeatedly held that the automatic conduct of software, unaided
by human intervention, is not “volitional.” See CoStar, 373 F.3d at 550 (“[A]n ISP who owns an
electronic facility that responds automatically to users’ input is not a direct infringer.”); Cartoon
Network, 536 F.3d at 131 (“[A] significant difference exists between making a request to a human
employee, who then volitionally operates the copying system to make the copy, and issuing a
command directly to a system, which automatically obeys commands and engages in no volitional
conduct.”); Parker, 422 F. Supp. 2d at 497 (“When an ISP automatically and temporarily stores data
without human intervention so that the system can operate and transmit data to its users, the
necessary element of volition is missing. The automatic activity of Google’s search engine is
analogous. It is clear that Google’s automatic archiving of USENET postings and excerpting of
websites in its results to users’ search queries do not include the necessary volitional element . . . .”).
Consequently, the plaintiffs’ claim for direct copyright infringement in Count I is dismissed
B. SECONDARY INFRINGEMENT
In Count II, the plaintiffs allege that Hotfile has induced infringement of, has committed
contributory infringement of, and has vicariously infringed the plaintiffs’ copyrighted works. Hotfile
and Mr. Titov seek to dismiss this claim, arguing that the plaintiffs have failed to properly plead
claims for infringement by inducement, contributory infringement, and vicarious infringement.
Hotfile’s and Mr. Titov’s arguments are unconvincing.
Under Supreme Court precedent, a defendant may be liable for inducing copyright
infringement if he “distributes a device with the object of promoting its use to infringe copyright,
as shown by clear expression or other affirmative steps taken to foster infringement.” MGM Studios,
545 U.S. at 936–37. The complaint alleges that hotfile.com is a website that Hotfile uses to promote
copyright infringement and alleges that Hotfile took affirmative steps to foster this infringement by
creating a structured business model that encourages users to commit copyright infringement. The
complaint, moreover, outlines this business model in detail. At this stage, that suffices to plead a
claim for inducing copyright infringement.
Someone commits contributory infringement when he, with knowledge of the infringing acts,
nonetheless “induces, causes, or materially contributes to the infringing conduct of another.”
Cable/Home Commc’n Corp. v. Network Prods., Inc., 902 F.2d 829, 845 (11th Cir. 1990). Again,
the complaint alleges that, through its business model, Hotfile induced its users to infringe the
plaintiffs’ copyright, that hotfile.com causes and contributes to users’ copyright infringement, and
that Hotfile knows of this massive infringement. And, again, the complaint explains Hotfile’s
business model and the operations of hotfile.com with enough detail to survive at the pleading stage.
See Fin. Sec., 500 F.3d at 1282.
And, finally, to allege a claim for vicarious infringement, a plaintiff must allege that the
defendant “infringes vicariously by profiting from direct infringement while declining to exercise
a right to stop or limit it.” MGM Studios, 545 U.S. at 930. The complaint here alleges that Hotfile
(1) has complete control over the servers that users employ to infringe, (2) has the technology
necessary to stop this type of infringement, (3) refuses to stop the massive infringement, and (4)
actually encourages the infringement because the infringement increases its profits. The complaint,
moreover, alleges specific technological gizmos and software that Hotfile can use to prevent the
infringement [D.E. 1 ¶¶ 40–41]. As with the claims for inducing infringement and for contributory
infringement, nothing else is needed at this stage.
C. MR . TITOV ’S LIABILITY
Finally, the plaintiffs allege that Mr. Titov, as the guiding spirit of Hotfile, is also liable for
the infringement. Mr. Titov and Hotfile believe that the complaint alleges bare allegations
insufficient to overcome the pleading standard pronounced in Twombly, 550 U.S. at 554–55. Even
after Twombly, however, a plaintiff need not allege all facts in novelistic detail. Here, the plaintiffs
allege that Mr. Titov manages Hotfile, that he adopted the business model leading to the massive
infringement, that he personally refuses to implement technologies that could reduce the
infringement, and that he has paid users to upload files. At the pleading stage, this suffices to show
that Mr. Titov “has the ability to supervise infringing activity and has a financial interest in that
activity.” S. Bell Tel. & Tel. v. Associated Tel. Directory Publishers, 756 F.2d 801, 811 (11th Cir.
For these reasons, Hotfile’s and Mr. Titov’s motion to dismiss [D.E. 50] is GRANTED IN PART
AND DENIED IN PART ,
and the motion for a hearing [D.E. 51] is DENIED AS MOOT . Count I of the
complaint is DISMISSED WITHOUT PREJUDICE .
and ORDERED in chambers in Miami, Florida, this 8th day of July, 2011.
United States District Judge
All counsel of record
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