Dutcher v. Bold Films et al
Filing
359
MEMORANDUM DECISION AND ORDER following 347 ORDER. The court grants Defendants Motion in Limine to Preclude Testimony or Other Evidence Re: Substantial Similarity as to Non-Protected Elements of Falling 295 and reconsiders its previous denial of summary judgment based on substantialsimilarity. Summary judgment is hereby GRANTED in favor of Defendants. Signed by Judge Dee Benson on 8/19/2019. (jds)
IN THE UNITED STATES DISTRICT COURT
FOR THE DISTRICT OF UTAH
RICHARD DUTCHER,
Plaintiff,
v.
BOLD FILMS LP, BOLD FILM
PRODUCTIONS, LLC, OPEN ROAD
FILMS, LLC, NBCUNIVERSAL MEDIA,
LLC, and UNIVERSAL STUDIOS HOME
ENTERTAINMENT LLC,
MEMORANDUM DECISION AND
ORDER
Case No. 2:15-cv-110-DB
District Judge Dee Benson
Defendants.
On February 15, 2019, Defendants filed a Motion in Limine to Preclude Testimony or
Other Evidence Re: Substantial Similarity as to Non-Protected Elements of Falling. (Dkt. No.
295.) The court held a hearing on the motion on March 19, 2019. (Dkt. Nos. 343, 346.) At the
hearing, Plaintiff was represented by Steven Silverman and Perry Clegg, and Defendants were
represented by Jeffrey Hunt, David Reymann, Cheylynn Hayman, and Jeremy Brodis. Following
oral argument, the court took the Motion under advisement. (Dkt. No. 343.)
On March 22, 2019, the court granted Defendants’ Motion in Limine to filter out the
unprotected elements of Falling, such that the “substantial similarity” analysis is “between the
allegedly infringing work and the elements of the copyrighted work that are legally protected.”
Blehm v. Jacobs, 702 F.3d 1193, 1199 (10th Cir. 2012); Country Kids ‘N City Slicks, Inc. v.
Sheen, 77 F.3d 1280, 1284 (10th Cir. 1996). Having engaged in that analysis, the court
determined that no reasonable jury could find that Falling is substantially similar to
Nightcrawler, after the unprotected elements of Falling have been properly removed from
consideration. Accordingly, the court reconsidered its previous ruling, granted summary
judgment in favor of Defendants, and vacated the trial date set in this matter.
The court did not provide complete analysis at that time, and instead stated that a
Memorandum Decision would follow the Order. Plaintiff then submitted a Motion to Vacate
Order Granting Summary Judgment and Request for Rule 56(f) Relief. (Dkt. Nos. 349.) The
court denied the Motion to Vacate, but allowed the parties to submit supplemental briefing
related to the protectable elements of Falling and substantial similarity. (Dkt. No. 353.) The
court now issues this Memorandum Decision consistent with the March 22 Order. (Dkt. No.
347.)
Background
Falling is a motion picture made by Richard Dutcher in 2007. (First Amended
Complaint, Dkt. No. 87, ¶ 1.) Falling depicts a freelance news videographer in Los Angeles,
sometimes referred to as a “stringer”. (Id.) The main character, Eric, drives the streets of Los
Angeles listening to police band radio for fires, accidents and crimes to record and sell. (Id.) Eric
records progressively more violent and distressing scenes throughout the film until he eventually
records a crime in progress that results in a murder in which he continues to record a dying man
without rendering assistance. (Id.) Mr. Dutcher screened the movie in Los Angeles and Salt Lake
City, and distributed a small number of DVDs. (Id.) Mr. Dutcher holds a registered copyright for
the Falling motion picture. (Id. ¶ 6.)
Nightcrawler is a motion picture produced and distributed by Defendants in 2014. (Id. ¶¶
1, 8-10.) Nightcrawler also depicts a stringer in Los Angeles who uses police scanners and
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searches the streets for crimes to record and sell. The main character, Lou, similarly records
progressively more violent crimes, including filming a murder and failing to aid the victim.
Both films involve main characters who are engaged in the stringer profession in Los
Angeles. Both films include a male protagonist and a female love interest. In Falling, the love
interest, Davey, is Eric’s wife, an aspiring actress. In Nightcrawler, the love interest, Nina, is a
reporter dependent on Lou’s continued submission of his sensational footage to her. At the end
of Nightcrawler, Lou ends up better off than when the film began, with new vans and several
interns. At the end of Falling, Eric appears to have lost everything as a result of his stringer
behaviors.
Discussion
To prevail on a copyright claim, the owner of a valid copyright must prove “that the
defendant unlawfully appropriated protected portions of the copyrighted work.” Gates Rubber
Co. v. Bando Chem. Indus., Ltd., 9 F.3d 823, 832 (10th Cir. 1993). “This question involves two
separate inquiries: 1) whether the defendant, as a factual matter, copied portions of the plaintiff's
[protected work]; and 2) whether, as a mixed issue of fact and law, those elements of the
[protected work] that have been copied are protected expression and of such importance to the
copied work that the appropriation is actionable. Id. The second inquiry requires the court “to
determine which elements of Plaintiff’s work … are protectable.” Country Kids 'N City Slicks,
Inc. v. Sheen, 77 F.3d 1280, 1284 (10th Cir. 1996).
In the absence of direct evidence, a plaintiff may prove that protectable elements of his
copyrighted work have been copied by showing that the defendant had access to the protected
work and that the allegedly copied material is substantially similar to the protectable portion of
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the copyrighted material. Id. at 832; Country Kids, 77 F.3d at 1284. “Liability for copyright
infringement will only attach where protected elements of a copyrighted work are copied.” Gates
Rubber Co., 9 F.3d at 833.
Courts in the Tenth Circuit often find it useful to apply the “abstraction-filtrationcomparison” test. See id. at 834-42; Country Kids, 77 F.3d at 1284-1288; Autoskill Inc. v. Nat'l
Educ. Support Sys., Inc., 994 F.2d 1476, 1490-98 (10th Cir. 1993) (overruled on other grounds).
The abstraction step requires the court to “separate the ideas…, which are not protectable, from
the particular expression of the work.” Country Kids, 77 F.3d at 1284. The court then “filter[s]
out the nonprotectable components of the [copyrighted work] from the original expression.” Id.
Finally, the court “compare[s] the remaining protected elements to the allegedly copied work to
determine if the two works are substantially similar.” Id.
The court here has been presented with Defendants’ Motion in Limine to Preclude
Testimony or Other Evidence Re: Substantial Similarity as to Non-Protected Elements of
Falling. (Dkt. No. 295.) That Motion requested that the court filter out the non-protected
elements of Falling prior to the case being presented to the jury for comparison to Nightcrawler.
The court agreed with Defendants that the “substantial similarity” analysis must be “between the
allegedly infringing work and the elements of the copyrighted work that are legally protected.”
Blehm v. Jacobs, 702 F.3d 1193, 1199 (10th Cir. 2012); Country Kids ‘N City Slicks, Inc. v.
Sheen, 77 F.3d 1280, 1284 (10th Cir. 1996).
Abstraction and Filtration
The court must “eliminate . . . the unprotectable elements of ideas, processes, facts,
public domain information, merger material, scenes a faire material, and other unprotectable
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elements” prior to engaging in a substantial similarity analysis. Gates Rubber Co. v. Bando
Chemical Indus., 9 F.3d 823, 833-34 (10th Cir. 1993). Most significantly here, the court must
exclude from consideration elements that are “standard, stock, or common” to the stringer
profession, including material that “necessarily follows” from that theme and setting. Autoskill,
994 F.2d at 1494 (internal citations omitted).
Falling is not the first work to portray stringers in action. The court reviewed the contents
of previous works submitted by Defendants, the “Prior Stringer Films.” (Dkt. No. 129.) Those
prior works contained all of the significant stringer themes that Plaintiff claims are independent
creations in Falling.
First, the similarities between the characters in Falling and Nightcrawler are due to their
profession as stringers. Both work as freelance videographers driving around Los Angeles,
listening to police scanners, and rushing to crime scenes for graphic and sensational footage to
sell to news stations. However, those similarities are also found in the stringer characters in the
Prior Stringer Films and are consistent with the idea of the stringer profession generally. As
such, they are scenes a faire properly excluded from the substantial similarity analysis.
Second, the similarities of the plot and plot sequence between Falling and Nightcrawler
are also attributable to scenes a faire of the stringer profession. The Prior Stringer Films show
characters driving the streets listening to police scanners, obtaining progressively more graphic
footage, and stringers drawn into dangerous situations. Absent those similarities, the plots of
Nightcrawler and Falling are quite different. Falling maintains a moral focus, including an
extensive exploration of Eric’s home life and wife. Nightcrawler focuses on an amoral character
that seems to place little value on the lives of those close to him. The endings are also very
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different, with Eric ending up losing everything due to his stringer behaviors in Falling, while
Lou seems to come away better following all of his devious stringer activities.
Similarly, the murder scenes in Falling and Nightcrawler are alike in that both men
engage in the stringer profession and fail to aid dying victims. However, this type of behavior is
also seen in the Prior Stringer Films, and is consistent with the general concept of the stringer
profession—to obtain graphic footage to sell to news stations. Otherwise, the murder scenes have
different settings, major differences in characters, and contribute differently to the overall plot.
Finally, the cliché journalism phrases identified by Plaintiff and depictions of the Los
Angeles LDS temple in Falling are not protectable expression. Plaintiff argues that language
used in both films—such as the phrase “if it bleeds, it leads,” and the viewer discretion warnings
given by newscasters prior to showing gruesome footage—are protected aspects of Falling that
were copied in Nightcrawler. Those phrases convey an idea “that is typically expressed in a
limited number of stereotypical fashions [and as such] are not subject to copyright protection.”
Lumos, Inc. v LifeStrength, LLC, 2014 WL 4355451 (D. Utah Sept. 3, 2014) (citation omitted).
As such, those phrases, while similar in both films, are properly excluded from the substantial
similarity analysis.
Similarly, use of the Los Angeles LDS temple in a scene of Falling is not protectable
expression. The Los Angeles LDS temple is a “real plac[e] known to the public.” See Walker v.
Time Life Films, Inc., 784 F.2d 44, 50 (2d Cir. 1986). Accordingly, its inclusion in a film based
in Los Angeles cannot be copyrightable. Id. Thus, the short clip of the Los Angeles LDS temple
in Nightcrawler cannot properly be considered in the substantial similarity analysis.
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Comparison
“The traditional test for substantial similarity is whether the accused work is so similar to
the plaintiff’s work that an ordinary reasonable person would conclude that the defendant
unlawfully appropriated the plaintiff’s protectable expression by taking material of substance and
value.” Country Kids, 77 F.3d at 1288 (citation omitted). To apply this test, the court asks
whether an “ordinary observer, unless he set out to detect the disparities, would be disposed to
overlook them, and regard their aesthetic appeal as the same.” Id. (citing Peter Pan Fabrics, Inc.
v. Martin Weiner Corp., 274 F.2d 487, 489 (2d Cir.1960)).
Absent unprotected material, particularly the scenes a faire that are consistently found in
the Prior Stringer Films, no reasonably jury could find that Nightcrawler is substantially similar
to Falling. The protagonists are very different characters—Eric is a generally moral character
who demonstrates significant remorse for his stringer behaviors; Lou is a generally amoral
character who does not seem to feel remorse for his actions. The female leads are very different
and maintain very different relationships with the male protagonists—Davey is Eric’s wife, who
he appears to love and care for deeply; Nina is Lou’s business contact, who he manipulates to
gain greater personal and professional advantage.
Furthermore, the plot and overall theme of the movies are not substantially similar.
Falling has heavy religious overtones and includes a main character who is struggling with his
identity as a stringer. Nightcrawler does not involve religion or morality in the same way but
rather focuses on an amoral character who is not developing or changing morally throughout the
film.
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The murder scenes are also not substantially similar. In Falling, Eric happens upon a
gang mugging during the day on the street and tapes the man assaulted rather than attempting to
assist him. In Nightcrawler, Lou unlawfully enters the private residence of a crime victim and
tapes one of the victims as he dies. In another Nightcrawler scene, Lou intentionally places his
intern in danger, causing him to be shot by police. Neither of the murder scenes in Nightcrawler
is substantially similar to the scene in Falling.
An ordinary observer would not view Falling and Nightcrawler and determine that “their
aesthetic appeal [is] the same” or that Nightcrawler must have “unlawfully appropriated …
material of substance and value” from Falling. Instead, the significant similarities between the
films are properly excluded from consideration, because they are consistently found in Prior
Stringer Works. Accordingly, Nightcrawler is not substantially similar to Falling under the
reasonable observer standard.
Having engaged in a substantial similarity analysis that properly excludes unprotected
material, as required by Tenth Circuit precedent, the court reconsiders its previous denial of
Defendants’ Motion for Summary Judgment (Dkt. No. 239) and finds that no reasonable factfinder could determine that Nightcrawler is substantially similar to the protectable elements of
Falling. Thus, even if Plaintiff were able to establish access, Plaintiff cannot show copying, and,
as such, judgment as a matter of law in Defendants’ favor is appropriate.
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Conclusion
For the foregoing reasons, the court grants Defendants’ Motion in Limine to Preclude
Testimony or Other Evidence Re: Substantial Similarity as to Non-Protected Elements of Falling
(Dkt. No. 295) and reconsiders its previous denial of summary judgment based on substantial
similarity. Summary judgment is hereby GRANTED in favor of Defendants.
DATED this 19th day of August, 2019.
BY THE COURT:
Dee Benson
United States District Judge
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