Cariou v. Prince
Filing
68
OPPOSITION TO MOTION to dismiss [51], on behalf of Appellant Lawrence Gagosian and Gagosian Gallery, Inc., FILED. Service date 06/01/2011 by CM/ECF. [304722][68] [11-1197]
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SCHNADER HASON SEGAL & LEWIS LLP
140 Broadway, Suite 3100
New York, New York 10005-1101
Telephone: (212) 973-8000
Facsimile: (212) 972-8798
Attorneys for Plaintif Patrick Cariou
UNITED STATES DISTRICT COURT
SOUTHERN DISTRICT OF NEW YORK
---~------- ------------------------ --- ---------- ----------------- --- )(
PATRICK CAROU,
Plaintiff,
Case No. 08 CIV 11327 (DAB)
AMENDED COMPLAINT
- against -
RICHARD PRICE, GAGOSIAN GALLERY, INC.,
LAWRNCE GAGOSIAN, and RIZZOLI
INTERNATIONAL PUBLICA nONS, INC.,
DEMAND FOR JURY TRIAL
Defendants.
---- ------ - ------------------ - - - -- - ------ ------ - --- - ------------- --- )(
Plaintiff
Patrick Cariou, by his attorneys, Schnader Harison Segal & Lewis LLP, for his
Complaint against defendants Richard Prince, Gagosian Gallery, Inc. ("Gagosian Gallery"),
Lawrence Gagosian, and Rizzoli International Publications, Inc. ("Rizzo
Ii") (collectively
"Defendants"), alleges as follows:
JURISDICTION AND VENUE
1. This Court has jursdiction over the subject matter of this action pursuant to
28 U.S.C. §§ 1331 and 1338(a), because this action arses under the Copyrght Act of 1976, as
amended, 17 U.S.C. §§ 101, et seq. The copyrighted works at issue are registered with the U.S.
Copyrght Office.
2. Venue is proper in this
judicial district
pursuant to 28 U.S.C. § 139l(b) and
(c), and 28 U.S.C. § l400(a) because defendants Gagosian Gallery, Gagosian and Rizzoli either
reside or conduct business and may be found in this district and defendant Richard Prince resides
in the State in which this district is located, and because a substantial par of the events giving rise
to the claim occured, and a substantial par of
the property that is subject of
the action is situated,
in this district.
PARTIES
3. Plaintiff Patrick Cariou ("Plaintiff'), a French citizen and resident of Paris,
France, is a photographer who has published a number of
of
books of
photography, including a book
photographs entitled Yes Rasta, published in 2000 by Powerhouse Books, Inc. Plaintiffs work
has also appeared in numerous international magazines.
the State of
4. Defendant Richard Prince, a citizen of
New York, is a
contemporar artist who resides in Rensselaerville, New York.
5. Defendant Gagosian Gallery is a corporation organized and e)(isting under
the laws ofthe State of
of
New York and having its pricipal place of
business in the County and City
New York. Gagosian Gallery owns and operates a number of ar galleries in New York City
and various other cities, including one located at 555 West 24th Street, New York, New York (the
"Chelsea Gallery"). Gagosian Gallery is Prince's e)(clusive representative and agent.
2
6. Defendant Lawrence Gagosian is the controlling shareholder of Gagosian
Gallery and makes its operating decisions, including those involving the Chelsea Gallery.
7. Defendant Rizzoli is a corporation organzed and e)(isting under the laws of
the State of
New York and having its principal place of
business in the County and City of
New
York. Rizzoli is the e)(clusive distributor of a book entitled Canal Zone, published by Gagosian
Gallery in 2008, and containing photographs of various paintings by Prince which were on display
at the Chelsea Gallery from November 8, 2008 through December 20,2008 in an e)(hibition
entitled Canal Zone (the "Canal Zone E~bition").
NATURE OF THE ACTION
8. Defendants have infringed Plaintiff s e)(clusive rights under Section 106 of
the Copyright Act of 1976, as amended, by, without authorization, reproducing, adapting,
distributing and displaying copyrighted photographic works (the "Photographs") which Plaintiff
owns and published in the book entitled Yes Rasta. Plaintiff seeks damages and other remedies
under the Copyright Act.
9. Plaintiff
is the sole copyright owner and author of
the Photographs, which
are published as par ofthe photography book Yes Rasta and copyrighted under Copyright
Registration No. V A0001301506, issued on November 5, 2001. A copyright notice is displayed
the Copyright Act.
on Plaintiffs published book, Yes Rasta, in accordance with Section 401 of
the above Copyrght Registration, Defendant
10. Long following the issuance of
Prince appropriated the Photographs without authorization from Plaintiff and created a series of
3
paintings (the "Paintings") incorporating copies ofthe Photographs, thereby infringing Plaintiffs
e)(clusive rights in the Photographs under the Copyright Act.
11. Defendants Gagosian Gallery and Gagosian displayed the Paintings during
the Canal Zone E~ibition and sold some or all of the Paintings, thereby infringing and
contributing to Prince's infngement of
Plaintiffs e)(clusive rights in the Photographs under the
Copyright Act. Gagosian Gallery and Gagosian also infnged Plaintiff s rights under the
Copyright Act by displaying images of certain of
the Paintings, containing the Photographs, on
Gagosian Gallery's website and by publishing the book entitled Canal Zone, which contains
photographs of the Paintings and the Photographs included within the Paintings.
the
12. By distributing the book entitled Canal Zone, which contains copies of
Photographs, RIzzoli has infinged and contributed to Prince's infringement of
Plaintiffs e)(clusive
rights under the Copyright Act.
13. None ofthe Defendants was ever authorized by Plaintiff
to appropriate the
Photographs, or to reproduce, distribute or display the Photographs, or to adapt the Photographs in
order to create the Paintings or any other derivative work based on the Photographs. Defendants'
conduct was and continues to be in willful disregard of Plaintiff s rights under the Copyright Act.
14. Defendants' conduct has damaged Plaintiffs ability to sell additional copies
of Yes Rasta or to ear revenues from derivative works based on the Photographs which Plaintiff
could have licensed to others, while at the same time enabling Defendants to profit from their
unauthorized reproduction, adaptation, distribution and display of the Photographs.
4
FACTUAL BACKGROUND
15. Plaintiff
is an accomplished photographic artist whose published works
include the book entitled Yes Rasta.
16. Plaintiff spent parts of siJ( years in the secluded mountains of Jamaica,
gaining access to, living and working with, and earnng the trst of the Rastafarians who are the
subjects of Yes Rasta. The Rastafarans are a spiritual society living simply, independently, and in
harony with natue, apar from the industrialized world of environmental pollution and
materialism which they reject and refer to as "Babylon." Naturally, the Rastafarians do not easily
trst outsiders, such as Plaintiff, and it was only after living with them for years that Plaintiff was
finally permitted to photograph them. The result was the Photographs in Yes Rasta, approJ(imately
100 strkingly original black-and-white photographs, mostly close-up portraits of stern, mystica1looking men within a distinctive tropical
Henzell, who was the producer and director of
landscape. Yes Rasta also contains an essay by Perry
the noted Jamaican film, The Harder They Come.
17. The Photographs, registered with the United States Copyright Office on
November 5, 2001 under Registration No. V A0001301506, are highly original, for few, if any,
artists have been afforded the unettered opportunity to photograph the Rastafari people in such
breadth and detaiL. Yes Rasta was published in 2000 with a copyright notice as prescribed under
Section 401 of
the Copyright Act.
18. Prince is well known as an "appropriation arist," due to his penchant for
appropriating and using as his own images created by others without attribution or permission. As
Price once said of
his own work in an interview, he is "practicing without a license." Prince has
publicly admitted appropriating photographs created by others and publishing them as his own
5
work. Although he primarily has been known for copying anonymous commercial imagery, such
as advertisements, in the Paintings contained in his Canal Zone E~bition, Prince has appropriated
Plaintiffs copyrighted ar work. As stated in Gagosian Gallery's website ~ which, by displaying
images of certain of the Paintings, containing the Photographs, itself infringes Plaintiff s exclusive
rights under the Copyright Act - Prince copied the Photographs in various ways, including by
scanng them and printing them directly onto the base canvas of
the Paintings. In a recent
interview with Interview Magazine, Prince described his work in the Canal Zone E)(hibition as
having been taken from "a book" that he "picked up" about Rastas, who represented a culture "that
I didn't really know much about. But I loved the book, and I loved the dreads, so I just started
fooling around with this book. . ." According to Prince, "(t)he pictues are very quickly done-
they're not really thought about. . ." Prince added: "The Rastas came really fast. And they're
going to be over really fast, too." In addition to copying Plaintiffs images of
Rastafarians, Prince
also copied the landscapes depicted in the Photographs.
19. Not only did Prince appropriate the images in the Photographs and
incorporate them into the Paintings without Plaintiff s permission and despite the prominent
copyright notice contained in Yes Rasta, but, in the infringing book published by Gagosian Gallery
and distrbuted by Rizzoli entitled Canal Zone, Price actually purports to be the copyright owner
of all "arorks" and "insert images," presumably including the Paintings (which contain
Plaintiffs Photographs). Furhermore, Gagosian Gallery claims to be the copyright owner ofthe
Canal Zone "publication."
20. The Canal Zone E)(bition contained at least twenty-two Paintings, at least
twenty of
which reproduce and are derived from the Photographs, incorporating unauthorized uses
6
of Plaintiffs registered copyrighted work. Among the infinging Paintings which were displayed
in the Chelsea Gallery from November 8, 2008 through December 20, 2008 were two untitled
works, as well as works entitled: Graduation, Back to the Garden, Charlie Company, Meditation,
Canal Zone, The Ocean Club, Cookie Crumbles, lIe de France, Ding Dong the Witch Is Dead,
Djuna Barnes, etc., Zipping the System, Tales of Brave Ulysses, It's All Over, Specially Round
the Island, Cheese and Crackers, and Mr. Jones.
Midnight, Naked Confessions, The Other Side of
these Paintings and has been wrongfully
Plaintiffs copyrighted work is contained in each of
copied and appropriated by Prince and displayed and distributed by the other Defendants. All of
the Paintings were created by Prince, displayed by Gagosian Gallery and Gagosian, and distributed
by Rizzoli years after Plaintiff registered his copyright covering the Photographs.
21. Some, if
not all, of
the Paintings were sold by Prince or Gagosian Gallery
before, during or after the Canal Zone E)(hibition, and Gagosian Gallery, Gagosian and Prince all
benefitted from the sales.
22. In an effort to promote the Canal Zone Exhibition, Gagosian Gallery caused
to be printed in newspaper and magazine advertisements copies of the Paintings, containing
infringing reproductions of images from the Photographs, including advertisements in The Art
Newspaper and
Art Forum Magazine. Gagosian Gallery's invitation to the opening of
the Canal
Zone E)(hibition depicted an image of Graduation, the Prince Painting found on the first page of
the Canal Zone e~bition book, which itself contains an infinging reproduction of images from
the Photographs. Ths use of one of
centrality of
Plaintiffs Photographs in the invitation demonstrates the
the Canal Zone Exhibition.
the Photographs appropriated by Prince to the essence of
Despite the centrality of the Photographs to the Canal Zone E)(hibition, at no time in their press
7
releases, interviews or other public statements did Prince, Gagosian Gallery or Gagosian ever
mention Plaintiffs name or comment on the fact that the Paintings were taken directly from
Plaintiff s copyrighted work.
23. Neither Prince, nor Gagosian Gallery, nor Gagosian, nor Rizzoli ever asked
for or received permission to use the Photographs.
24. After the Canal Zone E)(hibition opened, Plaintiff discovered that the
Defendants had infringed his rights under the Copyright Act. Through his counsel, on December
11, 2008, Plaintiff served Defendants with a cease and desist demand, outlining the relevant facts
set forth in this Complaint and requiring Defendants to:
1. Cease and desist from continuing to e~bit or distribute Prince's arwork
containing unauthorized reproductions of Plaintiff s copyrighted work;
11. Remove all unauthorized reproductions of
Plaintiffs copyrighted work
from Prince's arwork;
the Canal Zone e)(hibition book
containing Prince's artwork that is being distributed by Rizzoli; and
iil. Deliver or destroy all remaining copies of
iv. Identify
all of
Prince's arork containing unauthorized reproductions of
Plaintiffs copyrighted work and the current location of each of such work.
25. Defendants did not comply with Plaintiffs cease and desist demand and the
December 20,2008 without
Canal Zone E~bition ran through its scheduled completion date of
any corrective action being taken.
8
FIRST CLAIM FOR RELIEF
(COPYRGHT INFRINGEMENT AGAINST RICHA PRINCE)
(17 U.S.C. §§ 106,501)
26. Plaintiff
hereby incorporates paragraphs 1 though 25 of
this Complaint as if
fully set forth herein.
27. Defendant Prince, with full knowledge of the copyright protection of the
Photographs, without authorization, and despite receiving a cease and desist demand, infinged
the Photographs by reproducing, displaying,
Plaintiffs e)(clusive rights as the copyright owner of
and causing the Photographs to be distributed and by adapting the Photographs into unauthorized
derivative works. All of
the infringing conduct occured in the State of
New York.
28. Defendant Prince's infrngement was wilful because, as an accomplished,
educated and informed arist, Prince had knowledge that his conduct constituted infringement or, at
least, recklessly disregarded the possibility. Prince's wilful infringement is also manifested by his
disregard of the copyright notice on the copy of Yes Rasta that he admitted perusing and copying
from. Finally, Prince's receipt of and non-compliance with Plaintiffs cease and desist demand also
establishes the willful nature of
his infringing conduct.
29. Prince's acts have damaged and are continuing to damage Plaintiff
amount and to an e)(tent as yet unown.
9
in an
SECOND CLAIM FOR RELIEF
(COPYRGHT INFRIGEMENT AGAINST GAGOSIAN GALLERY)
(17 U.S.c. §§ 106,501)
30. Plaintiff
hereby incorporates paragraphs 1 through 29 ofthis Complaint as if
fully set forth herein.
31. Defendant Gagosian Gallery, without authorization, infringed Plaintiffs
the Photographs by publicly displaying, offering for
e)(clusive rights as the copyright owner of
sale, and selling the Paintings; by advertising the Canal Zone Emibition with infringing depictions
of the Paintings, containng images of the Photographs, on its website and in newspaper and
magazine advertisements as well as in the invitation to the opening of the Canal Zone E)(hibition;
and by publishing and causing to be distributed the Canal Zone Emibition book, Canal Zone,
which contains photographs of
All of
the Paintings, and the Photographs included within the Paintings.
New York. With those same
this infinging conduct occured in the County and State of
acts, Gagosian Gallery also contributorily and vicariously infringed Plaintiffs e)(clusive rights as
the copyright owner of
the Photographs.
32. Defendant Gagosian Gallery's infngement was wilful because, as a
prominent and sophisticated ar gallery which e)(clusively represented Prince and knew of
his
background as an "appropriation arist" who openly boasted about copying works created by
others, it knew or should have known that its conduct constituted copyright infringement or, at
least, recklessly disregarded the possibility. Defendant Gagosian Gallery's wilful infingement is
also manifested by its disregard ofthe copyright notice on the copy of Yes Rasta that Defendant
Plaintiffs cease and desist
Prince admitted perusing and copying from, and by its disregard of
demand.
10
33. Defendant Gagosian Gallery's acts have damaged and are continuing to
damage Plaintiff in an amount and to an e)(tent as yet unown.
THIRD CLAIM FOR RELIEF
(COPYRIGHT INFRINGEMENT AGAINST GAGOSIAN)
(17 U.S.C. §§ 106,501)
hereby incorporates paragraphs 1 through 33 of
34. Plaintiff
this Complaint as if
fully set forth herein.
35. Defendant Gagosian, without authorization, infinged Plaintifts e)(clusive
rights as the copyright owner of the Photographs by publicly displaying, offering for sale, and
selling the Paintings; by advertising the Canal Zone E)(hibition with infnging depictions of the
Paintings, containing images of the Photographs, on the Gagosian Gallery website and in
newspaper and magazine advertisements as well as in the invitation to the opening of the Canal
Zone Emibition; and by publishing and causing to be distributed the Canal Zone Emibition book,
the Paintings, and the Photographs included within the
Canal Zone, which contains photographs of
Paintings. All of this infringing conduct occured in the County and State of
New York. With
those same acts, Gagosian also contributorily and vicariously infringed Plaintiff s e)(clusive rights
as the copyright owner of the Photographs.
36. Defendant Gagosian's infngement was wilful because, as a prominent and
sophisticated proprietor of
represented Prince and knew of
numerous ar galleries, including the Chelsea Gallery, who e)(c1usively
his background as an "appropriation arist" who openly boasted
about copying works created by others, he knew or should have known that his conduct constituted
copyright infingement or, at least, recklessly disregarded the possibility. Defendant Gagosian's
11
the copyright notice on the copy of Yes
wilful infringement is also manifested by his disregard of
Rasta that Defendant Prince admitted perusing and copying from, and by his disregard of
Plaintiffs cease and desist demand.
37. Defendant Gagosian' s acts have damaged and are continuing to damage
Plaintiff in an amount and to an e)(tent as yet unkown.
FOURTH CLAIM FOR RELIEF
(COPYRIGHT INFRINGEMENT AGAINST RIZZüLI)
(17 U.S.c. §§ 106,501)
hereby incorporates paragraphs 1 through 37 of
38. Plaintiff
this Complaint as if
fully set forth herein.
39. Defendant Rizzoli, without authorization, infringed Plaintiffs e)(clusive
the Photographs by distributing the Canal Zone Exhibition book,
rights as the copyright owner of
Canal Zone, which contains photographs of
Paintings. All or most of
the Paintings, and the Photographs included within the
this infringing conduct occured in the County and State of
New York.
With those same acts, Rizzoli also contributorily and vicariously infringed Plaintiffs e)(clusive
rights as copyright owner of the Photographs.
40. Defendant Rizzoli's infrngement was wilful because, as an e)(perienced
book publisher and distributor, it knew or should have known that its conduct constituted copyright
infringement or, at least, recklessly disregarded the possibility. Defendant Rizzoli's willful
infringement is also manifested by its disregard of the copyright notice on the copy of Yes Rasta
that Defendant Prince admitted perusing and copying from, and by its disregard of
and desist demand.
12
Plaintiffs cease
41. Defendant Rizzoli's acts have damaged and are continuing to damage
Plaintiff in an amount and to an e)(tent as yet unown.
FIFTH CLAIM FOR RELIEF
(CONSPIRACY BY PRINCE, GAGOSIAN GALLERY, GAGOSIAN, AND RIZZOLI TO
VIOLATE PLAINTIFF'S RIGHTS UNDER
THE COPYRGHT ACT)
42. Plaintiff
hereby incorporates paragraphs 1 through 41 of
this Complaint as if
fully set forth herein.
43. Defendants agreed to reproduce, adapt, display, publish, advertise, promote,
sell, offer for sale, market, distribute or otherwise dispose of the Photographs and the Paintings
derived from the Photographs without Plaintiffs authorization and contrar to his cease and desist
demand. Defendants' wilful infringement is manifested by their agreement to disregard the
copyright notice on the copy of Yes Rasta that Defendant Prince admitted perusing and copying
from.
44. Defendants' conspiracy was intended to and did deprive Plaintiff of
his
exclusive rights as the copyright owner of the Photographs.
45. Defendants' acts have damaged and are continuing to damage Plaintiff
in an
amount and to an e)(tent as yet unown.
WHEREFORE, Plaintiff Patrick Carou requests judgment in his favor and against
Defendants as follows:
A. That, pursuant to 17 U.S.C. § 502, Defendants, their directors, officers,
agents, servants, employees, and attorneys, and all persons in active concert or paricipation with
13
them, be enjoined and restrained permanently from infringing the copyright in the Photographs,
or any other of
Plaintiffs works, in any maner, and from reproducing, adapting, displaying,
publishing, advertising, promoting, selling, offering for sale, marketing, distributing or otherwise
disposing of the Photographs or any copies of the Photographs, or any other of Plaintiff s works,
and from paricipating or assisting in or authorizing such conduct in any way.
such damages as Plaintiff
B. That Defendants be required to pay Plaintiff
sustained in consequence of
has
the copyrights in the Photographs and
Defendants' infringements of
to account for and pay Plaintiff all of the Defendants' profits attibutable to such infngements
or, alternatively, as Plaintiff
Court may find
be awarded such statutory damages as the
may elect, that Plaintiff
just because of
infringement.
Defendants' wilful acts of
C. That Defendants be required to deliver up on oath for impounding,
destruction, or other disposition, as Plaintiff determines, all infringing copies of the Photographs,
including the Paintings and unsold copies of
the Canal Zone E)(hibition book, in their
possession, custody, or control and all transparencies, plates, masters, tapes, film negatives,
discs, and other articles for making such infnging copies.
D. That Defendants be required to notify in wrting any current or future
owners of the Paintings of whom they are or become aware that the Paintings infringe the
copyright in the Photographs, that the Paintings were not lawflly made under the Copyright Act
of 1976, and that the Paintings canot lawfly be displayed under 17 U.S.C. § 109(c).
the full costs of
E. That Defendants pay to Plaintiff
this action, including
reasonable attorney's fees under 17 U.S.C. § 505.
F. That Plaintiff
have such other relief as is just and proper.
14
DEMAND FOR TRIAL BY JURY
Pursuant to Rule 3 8(b) of the Federal Rules of Civil Procedure, Plaintiff demands a
trial by jury in this action.
Dated: New York, New York
Januar 14,2009
SCHNADER HARSON SEGAL & LEWIS LLP
By:
~~
Danel J. Brooks (DB-3136)
dbrooks(fschnader.com
Eric A. Boden (EB-7669)
eboden(ischnader. com
140 Broadway, Suite 3100
New York, New York 10005-1101
Telephone: (212) 973-8000
Facsimile: (212) 972-8798
Attorneys for Plaintif Patrick Cariou
15
AFFIDAVIT OF SERVICE
STATE
OF
NEW
YORK )
) ss:.
COUNTY OF NEW YORK )
TIMOTHY CLANCY, being duly sworn, deposes and says that he is not a par to this action, is
over the age of 18 years and resides in Monmouth County, New Jersey. That on the 14th day of January
2009, he served the within AMENDED COMPLAINT upon:
Richard Prince
151 Righter Road
Rensselaervile, NY 12147
Gagosian Gallery, Inc.
980 Madison Avenue
New Yark, NY 10021
Lawrence Gagosian
c/o Gagosian Gallery, Inc.
980 Madison Avenue
New York, NY 10021
Lawrence Gagosian
"Toad Hall"
Further Lane
East Hampton, NY 11937
Rizzoli International Publications, Inc.
300 Park Avenue South
New York, NY 10010
by depositing a true copy of same securely enclosed in a post-paid wrapper in an offcial depository under
the exclusive care and custody of
the United States Post Offce Deparment within the State of
New York.
Sworn to before me this
14th day of January 2009
~4.~
Notary Pub c
PATRICIA J. KEHLENBECK
Notary Public, State of New York
No. 01 KE6037739
Qualified in Nassau County
Commission Expires February 28, 20 .J
PHDATA 3162072_1
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