Cariou v. Prince

Filing 91

JOINT APPENDIX, Vol. 1, on behalf of Appellant Lawrence Gagosian, Gagosian Gallery, Inc. and Richard Prince, FILED. Service date 10/26/2011 by CM/ECF, email. [430290] [11-1197]--[Edited 10/27/2011 by HT]

A-259

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A-263

Case 1:08-cv-11327 -DAB Document 54-18

Filed 05/18/10 Page 2 of 8

•••• :•• :: .....!..: •...

Richard PrInce
Meg (White Panlhers), 2008
Ink jet, acrylic and collage on canvas
98 x 132 inches

248.9 x 335.3 em
(InV# RPS590)

CONFIDENTIAL - PR00019

A-264

Case 1:08-cv-11327-DAB Document 54-18

Filed 05/18/10 Page 3 of 8

Richard Prince .
Mine Lo~ Janet Flannet; Radclyffe Ha/~ Una Trowbridge and Oscar Uflde~ niece Dolly
.
Wlde,2008
Ink jet, acrylic and collage on canvas
77 112 x 120 112 inches
196.9 x 306.1 cm
(InV# RPS606)

CONFIDENTIAL - PR00020

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _...._---.---_

.....

A-265

Case 1:08-cv-11327-DAB Document 54-18

Filed 05/18/10 Page 4 of 8·

Richard Prince
Pumpsie Green, 2008
Ink jet, acrylic and collage on canvas
77 x 100 112 inches

195.6 x 255.3 em
(InV# RPS587)

CONFIDENTIAL - PR00024

A-266

Case 1:08-cv-11327-DAB Document 54-18

Filed 05/18/10 Page 5 of 8

Richard Prince
Uncle Tom Dick andHany, 2008
Ink jet, acrylic and collage on canvas
81 112 x 57 112 inches
207 x 146.1 cm
(InV# RPS589)

CONFIDENTIAL - PR00025

A-267

Case 1:08-cv-11327-DAB Document 54-18

Fi led 05/18/10 Page 6 of 8

Richard Prince
On The Beach, On Tile Beacll, 2008
Ink jet. acrylic and collage on canvas
59 x 90 1/4 inches
149.9 x 229.2 em
(InV# RPS591)

CONFIDENTIAL - PR00028

A-268

Case 1:08-cv-11327 -DAB Document 54-18

Filed 05/18/10 Page 7 of 8

Richard PrInce
Inquisition, 2008
Ink jet, acrylic and collage on canvas

100 1/2 x 77 inches
255.3 x 195.6 em
(InV# RPS592)

CONFIDENTIAL - PR00029

- - - - - - - - - - - - - - - - - - - - - - - - - - - - _ ..-._

....

A-269

Case 1 :08-cv-11327 -DAB Document 54-18

Filed 05/18/10 Page 8 of 8

Richard Prince
Escape Goat, 2008
Ink jet, acrylic and collage on canvas
92 x 122 inches
233.7 x 309.9 em
(InV# RPS607)

CONFIDENTIAL - PR00030

----------_._.._...._...-...-_..._--....

A-270
, -"- Case 1:08-cV-11327-DAS' Document 54~19 Ftled'05/18'/10 Page 2 0110

Damel J. Brooks
Eric A. Boden
SCHNADER HARRISON SEGAL & LEWIS LLP
140 Broadway, Suite 3100
- New York, New York 10005-1101
Telephone: [phone]
Facsimile: [phone]

,
.

Attorneys for PlaintiffPatrick Cariou
UNlTED STATES DISTRICT COURT
SOUTHERN DISTRICT OF NEW YORK

------------------------------x

PATRICK CARIOU.

Plaintiff.
-againstSTIPULATION

RICHARD PRINCE, GAGOSIAN GALLERY,
INC., LAWRENCE GAGOSIAN andRIZZOLI
INTERNATIONAL PUBLICATIONS, INC.

08 CIV 11327 (DAB)

Defendants.

--x
WHEREAS, plaintiff Patrick Cariou and defendants Gagosian Gallezy. Inc. ("Gagosian
Gallery") and Lawrence Gagosian (collectively,
" ..

"Gagosian'~

desire to efficiently obtain

infomlation sought from the deposition, pursuant to Fed. R. Civ. P. 30(b){6). of Oagosian
Gallery, in order to avoid the time and expense of questioning Gagosian Gallery's

representatives as to the authenticity of certain documents and as to Gagosian Gallery's summary
of the sales of certain Richard Prince paintings.
IT IS HEREBY STIPULATJID AND AGREED by and between the undersigned counsel
for the parties to this action that:
1.

The following deposition exhibits, identified herein by exhibit number and Bates

stamp. marked for identification by plaintiff during the depositions of Richard Prince. Lawrence

822746.1.

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A-271
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Case 1:08-cv-11327 -DAB Document 54-19

Filed 05/18/10 Page 3 of 10

Gagosian and Rizzoli International Publications, Inc., on October 6, 8. and 23. 2009,
respectively, are copies of authentic documents created and maintained by Gagosian Gallery in
the course of its regularJy conducted business activities: Exhibits 14 (GGP003781). 17
(GGP004326). 18 (GGP004307), 19 (GGP004330, GGP004332). 26 (GGP004072lOGOI0033.
GGP004075/GGOI0036), 29 (GGPOO1421. GGP000424..QGP000425), 31 (C00008-COOOIO), 32
(GGP004298-GGP004299). 44 (GGP003239), 45 (GGPOO1991. OGP002080, GGP002165.
GGP002282, 001'002418, GGP003134). 48 (GOPOD3313. GGP003316. GGP003322.
GGP00335S, GGP00331S, GGP003498). 49 (GGPOO320S), 50 (GGP003694), 51 (GGP003759).
52

(GGP002283).

S3

(GGP004297.

GGP003061/GG002763,

GGP0030621GGO02764,

GGP003063/00002766), 54 (GGP003108), SS (GGP002332). 56 (GGPOO3123-GGP003124.
GGP003150). 57 (GGPOO3127-GGP003128. GGP003202), 58 (GGP001397, GGP003092,
GGP0041 02-GOP0041 04), S9 (OOPOO40521GGO099 15). 61 (but only pages Bates stamped
GGP000800. GGPOOI04Q and GGPOOI332), 64 (GGP000800), 66 (GGP000801). 67
(GGPOOI040), 68 (GGP001563). 69 (GGP0012S0). 70 (GGPOOI61O), 71 (GGP001654). 72
(GGPOOI659). 73 (GOP001668). 74 (OGP001670). 76 (GGP001332). 78 (GGP004033). 79
(GGP001964-OGP00196S. GGP001967), 82 (GGP001383) and 84 (GOP001384).

2.

Gagosian Gallery represents that it received the total sum of $1 0,480,000 in sales

of certain Richard Prince paintings. as Usted on the summary annexed hereto as Exhibit A (the
"Summary"). Gagosian represents that Lawrence Gagosian, in his individual capacity, received
none of the proceeds of the sales listed in the Summary. Gagosian Gallery represents that it
transmitted to Richard Prince the total sum of $6.288.000.00 from the sales of paintings listed in
the Summary.

2

A-272
Case 1:08-cv-11327-DAB Documerit 54~ f9 'Filscf 05/1871 0' Page 4 of 10

3.

Gagosian Gallery represents that it exchanged non-monetary consideration (e.g.

the exchange of Richard Prince paintings for another art work) as follows:
a. Gagosian gave Richard Prince "Dying ab.d Dead Veteran" by Larry Rivers in
exohange for the fOlJl'Richard Prince paintings as listed in the Summary.
b. Gagosian sold three Richard Prince paintings. "Back to the Garden." "Cookie
Crumbles," and "Untitled Rasta 2008.0044" - in exchange for a Richard Serra
sculpture, entitled "Bellamy."
4.

Gagosian Gallery represents that it sold copies of the Canal Zone artaIogue. in or

about November, 2008 to February, 2009 for total gross revenues of $6,784.00.
5.

Gagosian Gallery and Lawrence Oagosian acknowledge their obligations to

supplement and update the infonnation provided in paragraphs 2. 3 and 4 of this Stipulation, as
that information changes. up to and including the date of the trial of this action.
6.

This Stipulation shall obviate the need for Gagosian to present additional

witnesses.

7.

This Stipulation is entered into, without prejudice and with full reservation of all

rights including the right to assert all objections at trial save for as to authenticity. solely for the

purpose of facilitating the exchange of infonnation between the parties to this action without
unnecessarily involving the Court in the process.
8.

This Stipulation may be executed in multiple counterparts, each of which, when

so executed and delivered, shall be an original, but such counterparts shall together constitute
one and the same instnunent and agreement.

3

A-273

..... case 1:OS-'cv--11321-D"AS' Documeri't 54-19'

Filecl05118/1b p'age5 af1D

Dated: New York. New York
JanuaryJS:, 2010

SCHNADBR HARRISON SEGAL &
LEWI~P
_.f)

BY:~~
Daniel J. Brooks
Eric A. Boden
140 Broadway, Suite 3100

New York, New York 10005
[phone]

Attorneys for PlaintiffPatrick Cariou

Dated: New Yor!c, New York
January~2010

WIT&-GMANLLP

A&:t::-

By:

Hollis Oonerka Bart
430 Park Avenue, 10th Floor

New York, NY 10022-3505
[phone]

Attorneysfor Defendants Gagosian Gallery, 1m:. and
Lawrence Gagosian

4

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Case 1:08-cv::1132i~DAB

Document 54-19 . Filed 05/18/10· Page 6 of 10

EXHIBIT A

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Ric~·iljl:ea\&L~~19ll4P[~J}WJlrt[9~ment 54-20

Filed 05/18/10 Page 2 of 3 Page 1 of I

~'GWGi1j'S

jD'kes
~l;terlaiJlerS

spiritual amenCil
g"ngs
~ict1t:~tt!!~

hoods
nurse (Klj,1tlngs
lllUitled \Illlhiiciite$-}

lIird talk

http://www.richardprinceart.com/index.html

4120/2009
COOD57

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richa~Mct::{j)&o1tr11327-DAB Document 54-20

Filed 05/18/10 Page 3 of 3 Page 1 of 1

".,.-.

.6?·f~· ,•. P~O,!O~~~P'11S .
I 1977 - 1979

I

1980

sunsets

Practici ng Withou t A License 1977

.cowboys

Images,
Rephotography Is a technique for stealing (pirating ) already existing
quoting
Simulating rather than copying them, "managing" rather than
been produced
them-re- producin g their effect and look as naturally as they had
c?'ll, .a ...
whe!1 tMy firs.t.app~e.af~.~I ~ re~~Il)!lIi'llce lTl()re..t~~n a r.~pr~~~c~i
real about an
rephotog raph Is essentially an appropriation of what's already
reality onto
eXisting image and an attempt to add on or additionalize this
of looking
somethin g more real, a virtuoso real-a reality that has the chances
real, but a reality that doesn't have any chances of being real.

19aZ-84
entertainers
spiritua I america
gangs

girlfriends
parties

upstate

p.Jlotographs
untitled
(publicities)

The technique is a physical
which the
activity which locates an individual behind a camera, a place from
afFords the
indiVidual can view nothing but the collected image, a place that
the image as
opportun ity to view exactly how the audience will eventually see
l to identify
an object and a location from which it is possible for an individua
him or herself as much as an audience as an author.
Appropr iation 1978

rtist to
I think appropriation has to do with the inability of the author/a
it's a
like his or her own work. Especially if the work is all theirs. I think
ng to
lot more satisfying to appropriate, especially iF you are C1ttemptl
say. If you
produce work with a certain believability, an Official fiction let's
to ask an
take someone else's work and call it your own, you don't have
and
audience "to take my word for it". It's not like it started with you
not that
ended up being guessed at. The effect you want to produce is
viewing
diFFerent from what an aUdience sometimes experiences when
a good movie. And what's that?
What Cristian Metz called, "a general lowering of wakefulness".

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C00058