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,---FEE CHANGES Case 1:11-cv-06351-HB Document 94
Fees are effective through June 30, 2002 After
thai date. check the Copyright Office Website
..
FORMTX Work
For II Hondramatlc Ulerary
Filed 06/29/12 Page 18 of 23
UNITED STATES COPYRIGHT O'FFICE
'I (202) 707·
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DO NOT WRIT! ABOVE THIS UNE IF YOU NEED MORE !PACE USE A SEPARATE CotmNUATION SHEET
1
TITLE Ol/THIS WORK Y
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PREVIOUS OR ALTERNAllV! IIILI!S T
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A-409
Case 1:11-cv-06351-HB Document 94
Filed 06/29/12 Page 20 of 23
Registntlion Nu mber
TX 7-502-287
Effectivc datc of
registration:
Mard1 13. 20 12
Title - - - - - - - - - - - - - - - - - - - - - - - - - Title of Work: A Gl impst: of Scarlet: And Otller Stories
Completionl Publication - - - - - - - - - - - - - - - - - - - YearofComjltetion:
Date of lst Publication:
International Sl:lIIdard Nu mber:
1 1
99
Nation of ht Publication: L
'nited States
May I, 1991
ISBN
0060 163313
Author
•
Author:
Author Crroted:
Roxana Robinson
text, compilation, Compilation of short stories
Citizen of:
United States
Year Horn:
1946
Copyright claim ant
Copyright O!iimant: Ro)(:m fl. Robinson
clo Lynn NC3 bit, Janklow & Nesbit Aswc., 445 Park Ave., New York, NY,
10022, Unitli:u Slates
Certification
Nome: Anita Fore
Date:
March 9, 20 12
Page 1 of I
A-410
Case 1:11-cv-06351-HB Document 94
Registration Ii: TXOCNJ750228i
Sen'lce Request #: 1-722961820
Anita Fore
The Authors Guild
3 1 E. 32nd Street, 7th Floor
New York, NY 10016 United States
Filed 06/29/12 Page 21 of 23
A-411
Case 1:11-cv-06351-HB Document 94
Filed 06/29/12 Page 22 of 23
Registntlion Nu mber
TX 7-502-294
Effectivc datc of
registration:
Mardl 13. 2012
Title - - - - - - - - - - - - - - - - - - - - - - - - - Title of Work: A Pt:1 feet Stranger: Ami Other Siories
Completionl Publication - - - - - - - - - - - - - - - - - - - YearofComjltetion: 2005
Date of lst Publication: AJriI 26, 2005
International Sl:lIIdard Number:
ISBN
Nation of ht Publication: L
'nited States
9780375509186
Author
•
Author:
Author C rroted:
Roxana Robinson
text, compilation, Compilat ion of short stories
Citizen of:
United States
Year Horn:
1946
Copyright claim ant
Copyright O!iimant:
Ro)(:mfl. Robinson
cia Lynn NC3bit, Janklow & Nesbit Aswc., 445 Park Ave., New York, NY,
10022, Unitt:u Slales
Certification
Nome: Anita Fore
Date:
March 9, 2012
Page 1 of I
A-412
Case 1:11-cv-06351-HB Document 94
Registration Ii: TXOCNJ7502294
Sen'lce Request #: 1-7229614 13
Anita Fore
The Authors Guild
3 1 E. 32nd Street, 7th Floor
New York, NY 10016 United States
Filed 06/29/12 Page 23 of 23
A-413
Case 1:11-cv-06351-HB Document 95
Filed 06/29/12 Page 1 of 5
UNITED STATES DISTRICT COURT
SOUTHERN DISTRICT OF NEW YORK
----------------------------------------------------------------X
THE AUTHORS GUILD, INC., et al.,
:
:
Plaintiffs,
:
:
- against :
:
HATHITRUST, et al.,
:
:
Defendants.
:
:
----------------------------------------------------------------X
Index No. 11 Civ. 6351 (HB)
DECLARATION OF HELGE RØNNING
I, Helge Rønning, hereby declare as follows:
1.
I am one of the plaintiffs in the above-captioned action and submit this
declaration in support of Plaintiffs’ motion for summary judgment.
2.
I have been a full professor in the Department of Media and Communication at
the University of Oslo in Norway since 1987, where I have worked in various academic
capacities since 1971. Over the course of my academic career I have authored over 400 nonfiction academic articles for journals, reports, newspapers, and magazines. I have also served as
Chairman of the Board of Kopinor, a collective body for Norwegian authors’ and publishers’
rights organizations that administers blanket licenses for photocopying and digital reproduction
rights to works protected by the Norwegian Copyright Act; Kopinor distributes remuneration to
rights holders based on statistical surveys of licensee behavior. I also served on the Norwegian
Board for Public Service Broadcasting from 1996 to 2004.
The Works At Issue
3.
I am the sole author and copyright holder of the non-fiction works Den Umulige
Friheten: Henrik Ibsen Og Moderniteten (Impossible Freedom, Henrik Ibsen and Modernity),
A-414
Case 1:11-cv-06351-HB Document 95
Filed 06/29/12 Page 2 of 5
first published by Glydendal in 2006 and of Dodsom Over Et Folk?: Imperialismen Og
Biafrakonflikten (Death Sentence Over a People, Imperialism and the Biafra Conflict), first
published by Pax in 1969, (collectively the “Works”), and holder of a valid copyright to each
under Norwegian law.
4.
Although I have licensed to my publishers certain exclusive rights in connection
with the commercial exploitation of my Works, I did so in exchange for the payment of royalties
and I remain the legal and/or beneficial owner of all rights in and to my Works. I never assigned
to any third party the copyright to the Works.
Unauthorized Uses Of My Work
5.
It has come to my attention that print copies of my Works were copied without
my permission when they were digitized by one the defendant universities (collectively referred
to herein along with HathiTrust as “Defendants”) in partnership with Google, as part of the
HathiTrust and/or Google Books projects. This digitization took place without my knowledge,
consent, or approval. I did not authorize Google, HathiTrust, or any of the university defendants
to digitize or make any other use of my Works. To date, I have received no compensation of any
kind for Defendants’ digitization and various uses of my Works.
Harm Resulting From Defendants’ Use Of My Works
6.
As an author who depends in large part on the value of my work to earn a living, I
brought this action because the Defendants’ unauthorized digitization and use of my Works has
harmed or threatens to harm me in a number of ways.
7.
I have reviewed the Declaration of T.J. Stiles and I agree with and incorporate by
reference Mr. Stiles’ descriptions of the various harm and potential harm caused by the
Defendants’ actions. One difference between Mr. Stiles and me is that (as described below) my
2
A-415
Case 1:11-cv-06351-HB Document 95
Filed 06/29/12 Page 3 of 5
Works are no longer in print and I have not yet chosen to make any of my Works available in
electronic form. However, these differences do not change the fact that Defendants’ actions are
causing and threatening to cause damage to me and to the value of my Works.
8.
While my Works are no longer in print, the harms articulated in the Declaration of
T.J. Stiles nevertheless apply to me because my Works are still protected by copyright law and I
still hold the copyrights. Whether my Works are in print or not, I have the right choose whether
or not to engage in licensing agreements for emerging uses of my Works, be they digital
archiving, non-consumptive research, full-text searching, or other derivative uses. By
preempting my right to make a decision as to how I wish to exploit my Works, Defendants have
narrowed the scope of my rights and lessened the strength of my control over my own work.
9.
I believe that I also am entitled to determine whether, when and under what
circumstances my Works are scanned, digitized, copied and used. Defendants’ insistence that
the new, complex, technologically-enabled uses they intend to make of my Works should be
permitted without my consent dangerously presupposes that copyright law does not give authors
any right to control how their works are used and exploited in these contexts. To the best of my
knowledge, this is not the law in the United States, and it certainly is not the law in Norway.
10.
Defendants argue that uses of my Works that do not allow individuals to read the
text, such as non-consumptive research and full text searching, do not inhibit sales of my Works
or deprive me of licensing opportunities and therefore do not require my permission. This is not
so. As the Declaration of T.J. Stiles points out, these kinds of uses represent a new market
whose value is evidenced by Defendants’ use of my Works, as well as the works owned by the
other Plaintiffs and the millions of other works Defendants scanned and copied. I believe that I
have the legal right to decide whether or not to permit these uses, and to seek remuneration for
3
A-416
Case 1:11-cv-06351-HB Document 95
Filed 06/29/12 Page 4 of 5
these uses if I do decide to allow them. Defendants could have asked my permission to digitize
my work, or offered to purchase one or more additional copies for their library collections.
11.
In addition, by failing to seek a license, Defendants eliminated the usual
mechanism that authors use to exercise control over our work: licensing or other agreements that
define terms of use and hold licensees accountable. Without such a contract, I am rendered
powerless to dictate terms as to how my Work may or may not be used. I also have no ability to
insist that HathiTrust take security measures to protect my work. I have no power to ensure that
the infringing copies of my work are truly in a “dark archive” that is not accessible for viewing
or further copying. I have no assurance that Defendants’ actual use of my Work is limited to the
uses they claim to intend to make, and no power of enforcement if their uses exceed this scope.
4
A-417
Case 1:11-cv-06351-HB Document 95
Filed 06/29/12 Page 5 of 5
I declare under penalty of perjury under the laws of the United States of America that the
foregoing is true and correct.
Dated: Oslo, Norway
June 27, 2012
HELGE RØNNING
5
A-418
Case 1:11-cv-06351-HB Document 96
Filed 06/29/12 Page 1 of 5
UNITED STATES DISTRICT COURT
SOUTHERN DISTRICT OF NEW YORK
----------------------------------------------------------------X
THE AUTHORS GUILD, INC., et al.,
:
:
Plaintiffs,
:
:
- against :
:
HATHITRUST, et al.,
:
:
Defendants.
:
:
----------------------------------------------------------------X
Index No. 11 Civ. 6351 (HB)
DECLARATION OF ANDRÉ ROY
I, André Roy, hereby declare as follows:
1.
I am one of the plaintiffs in the above-captioned action and submit this
declaration in support of Plaintiffs’ motion for summary judgment.
2.
I am a poet, literary critic, film critic, and Vice President of the Plaintiff Union
des Écrivaines et des Écrivains Québécois (“UNEQ”). I won the Canada Council for the Arts
Governor General’s Poetry Award for Action Writing, and I have twice been a finalist for that
award.
The Work At Issue
3.
I am the joint author and joint copyright owner of the non-fiction work
Marguerite Duras à Montréal.
4.
Although I have licensed to my publishers certain exclusive rights in connection
with the commercial exploitation of Marguerite Duras à Montréal, I did so in exchange for the
payment of royalties and I remain the legal and/or beneficial owner of all rights in and to
Marguerite Duras à Montréal. I never assigned to any third party the copyright to Marguerite
Duras à Montréal.
19894.300
A-419
Case 1:11-cv-06351-HB Document 96
Filed 06/29/12 Page 2 of 5
Unauthorized Uses Of My Work
5.
It has come to my attention that a print copy of Marguerite Duras à Montréal was
copied without my permission when it was digitized by one the defendant universities
(collectively referred to herein along with HathiTrust as “Defendants”) in partnership with
Google, as part of the HathiTrust and/or Google Books projects. This digitization took place
without my knowledge, consent, or approval. I did not authorize Google, HathiTrust, or any of
the university defendants to digitize or make any other use of Marguerite Duras à Montréal. To
date, I have received no compensation of any kind for Defendants’ digitization and various uses
of Marguerite Duras à Montréal.
Harm Resulting From Defendants’ Use Of My Work
6.
As an author who depends in large part on the value of my work to earn a living, I
brought this action because the Defendants’ unauthorized digitization and use of Marguerite
Duras à Montréal has harmed or threatens to harm me in a number of ways.
7.
I have reviewed the Declaration of T.J. Stiles and I agree with and incorporate by
reference Mr. Stiles’ descriptions of the various harm and potential harm caused by the
Defendants’ actions. Two differences between Mr. Stiles and me are that (as described below)
Marguerite Duras à Montréal is out-of-print and I have not yet chosen to make it available in
digital form. These differences do not, however, change the fact that Defendants’ actions are
causing and threatening to cause damage to me and to the value of Marguerite Duras à
Montréal.
8.
While Marguerite Duras à Montréal is no longer in print, the harms articulated in
the Declaration of T.J. Stiles nevertheless apply to me because Marguerite Duras à Montréal is
still protected by copyright law and I still hold the copyright. Whether Marguerite Duras à
2
19894.300
A-420
Case 1:11-cv-06351-HB Document 96
Filed 06/29/12 Page 3 of 5
Montréal is in print or not, I have the right choose whether or not to engage in licensing
agreements for emerging uses of Marguerite Duras à Montréal, be they digital archiving, nonconsumptive research, full-text searching, or other derivative uses. By preempting my right to
make a decision as to how I wish to exploit Marguerite Duras à Montréal, Defendants have
narrowed the scope of my rights and lessened the strength of my control over my own work.
9.
New technology is opening new possibilities in publishing and it is now possible,
for the first time in history, to self-publish a book in print or digital forms without the aid of a
publishing company. While I have not yet made a decision on how to proceed with my out-ofprint Works, I am aware of this option and consider it a possibility for the future. This is why
even my currently out-of-print book is affected by the Defendants’ unauthorized copying.
10.
I believe that I am entitled to determine whether, when and under what
circumstances Marguerite Duras à Montréal is scanned, digitized, copied and used. Defendants’
insistence that the new, complex, technologically-enabled uses they intend to make of
Marguerite Duras à Montréal should be permitted without my consent dangerously presupposes
that copyright law does not give authors any right to control how their works are used and
exploited in these contexts. To the best of my knowledge, this is not the law in the United States.
While Marguerite Duras à Montréal is not yet available in digital form, I reserve the right to
license the creation of digital versions of Marguerite Duras à Montréal when I choose to.
11.
Defendants argue that uses of Marguerite Duras à Montréal that do not allow
individuals to read the text, such as non-consumptive research and full-text searching, do not
inhibit sales of Marguerite Duras à Montréal or deprive me of licensing opportunities and
therefore do not require my permission. This is not so. As the Declaration of T.J. Stiles points
out, these kinds of uses represent a new market whose value is evidenced by Defendants’ use of
3
19894.300
A-421
Case 1:11-cv-06351-HB Document 96
Filed 06/29/12 Page 4 of 5
Marguerite Duras à Montréal, as well as the works owned by the other Plaintiffs and the
millions of other works Defendants scanned and copied. I believe that I have the legal right to
decide whether or not to permit these uses, and to seek remuneration for these uses if I do decide
to allow them. Defendants could have asked my permission to digitize Marguerite Duras à
Montréal, but did not do so.
12.
In addition, by failing to seek a license, Defendants eliminated the usual
mechanism that authors use to exercise control over our work: licensing or other agreements that
define terms of use and hold licensees accountable. Without such a contract, I am rendered
powerless to dictate terms as to how Marguerite Duras à Montréal may or may not be used. I
also have no ability to insist that HathiTrust take security measures to protect my work. I have
no power to ensure that the infringing copies of my work are truly in a “dark archive” that is not
accessible for viewing or further copying. I have no assurance that Defendants’ actual use of my
work is limited to the uses they claim to intend to make, and no power of enforcement if their
uses exceed this scope.
[The rest of this page intentionally left blank]
4
19894.300
A-422
Case 1:11-cv-06351-HB Document 96
DoI.d.
1
Filed 06/29/12 Page 5 of 5
A-423
Case 1:11-cv-06351-HB Document 97
Filed 06/29/12 Page 1 of 7
UNITED STATES DISTRICT COURT
SOUTHERN DISTRICT OF NEW YORK
----------------------------------------------------------------X
THE AUTHORS GUILD, INC., et al.,
:
:
Plaintiffs,
:
:
- against :
:
HATHITRUST, et al.,
:
:
Defendants.
:
:
----------------------------------------------------------------X
Index No. 11 Civ. 6351 (HB)
DECLARATION OF JAMES SHAPIRO
I, James Shapiro, hereby declare as follows:
1.
I am one of the plaintiffs in the above-captioned action and submit this
declaration in support of Plaintiffs’ motion for summary judgment.
2.
I am a Professor of English and Comparative Literature at Columbia University
specializing in Shakespeare and the Early Modern period.
The Work At Issue
3.
I am the sole author and copyright owner of the non-fiction work Oberammergau:
The Troubling Story of the World’s Most Famous Passion Play (hereafter “Oberammergau”). A
true and correct copy of the copyright registration for Oberammergau is attached hereto as
Exhibit A.
4.
Although I have licensed to my publishers certain exclusive rights in connection
with the commercial exploitation of Oberammergau, I did so in exchange for the payment of
royalties and I remain the legal and/or beneficial owner of all rights in and to Oberammergau. I
never assigned to any third party the copyright to Oberammergau.
19894.300
A-424
Case 1:11-cv-06351-HB Document 97
Filed 06/29/12 Page 2 of 7
Unauthorized Uses Of My Work
5.
It has come to my attention that a print copy of Oberammergau was copied
without my permission when it was digitized by one the defendant universities (collectively
referred to herein along with HathiTrust as “Defendants”) in partnership with Google, as part of
the HathiTrust and/or Google Books projects. This digitization took place without my
knowledge, consent, or approval. I did not authorize Google, HathiTrust, or any of the university
defendants to digitize or make any other use of Oberammergau. To date, I have received no
compensation of any kind for Defendants’ digitization and various uses of Oberammergau.
Harm Resulting From Defendants’ Use Of My Work
6.
As an author who depends in large part on the value of my work to earn a living, I
brought this action because the Defendants’ unauthorized digitization and use of Oberammergau
has harmed or threatens to harm me in a number of ways.
7.
I have reviewed the Declaration of T.J. Stiles and I agree with and incorporate by
reference Mr. Stiles’ descriptions of the various harm and potential harm caused by the
Defendants’ actions. Oberammergau is available for sale in digital form at online retailers such
as Amazon.com and others.
8.
I believe that I am entitled to determine whether, when and under what
circumstances Oberammergau is scanned, digitized, copied and used. Defendants’ insistence
that the new, complex, technologically-enabled uses they intend to make of Oberammergau
should be permitted without my consent dangerously presupposes that copyright law does not
give authors any right to control how their works are used and exploited in these contexts. To
the best of my knowledge, this is not the law in the United States.
2
19894.300
A-425
Case 1:11-cv-06351-HB Document 97
9.
Filed 06/29/12 Page 3 of 7
Defendants argue that uses of Oberammergau that do not allow individuals to
read the text, such as non-consumptive research and full-text searching, do not inhibit sales of
Oberammergau or deprive me of licensing opportunities and therefore do not require my
permission. This is not so. As the Declaration of T.J. Stiles points out, these kinds of uses
represent a new market whose value is evidenced by Defendants’ use of Oberammergau, as well
as the works owned by the other Plaintiffs and the millions of other works Defendants scanned
and copied. I believe that I have the legal right to decide whether or not to permit these uses, and
to seek remuneration for these uses if I do decide to allow them. Defendants could have asked
my permission to digitize Oberammergau, or offered to purchase one or more additional copies
for their library collections.
10.
In addition, by failing to seek a license, Defendants eliminated the usual
mechanism that authors use to exercise control over our work: licensing or other agreements that
define terms of use and hold licensees accountable. Without such a contract, I am rendered
powerless to dictate terms as to how Oberammergau may or may not be used. I also have no
ability to insist that HathiTrust take security measures to protect my work. I have no power to
ensure that the infringing copies of my work are truly in a “dark archive” that is not accessible
for viewing or further copying. I have no assurance that Defendants’ actual use of my work is
limited to the uses they claim to intend to make, and no power of enforcement if their uses
exceed this scope.
[The rest of this page intentionally left blank]
3
19894.300
A-426
Case 1:11-cv-06351-HB Document 97
Filed 06/29/12 Page 4 of 7
I declare under penaliy of perjury that the foregoing is true and correct.
Dated:
New York, New York
June~2012
4
19894.300
A-427
Case 1:11-cv-06351-HB Document 97
Filed 06/29/12 Page 5 of 7
EXHIBIT A
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Case 1:11-cv-06351-HB Document 97
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