Datatreasury Corporation v. Small Value Payments Company

Filing 39

STATUS REPORT Opening Claims Construction Brief (REPLACES # 38 ) by Datatreasury Corporation. (Attachments: # 1 Exhibit Ex A# 2 Exhibit EX B)(Cooper, Rodney) Modified on 2/1/2006 (mpv, ). Modified on 2/1/2006 (mpv, ). Additional attachment(s) added on 2/1/2006 (mpv, ).

Datatreasury Corporation v. Small Value Payments Company

Doc. 39 Att. 11

Case 2:04-cv-00085-DF

Document 38

Filed 02/01/2006

Page 1 of 3

Dockets.Justia.com

Case 2:04-cv-00085-DF

Document 38

Filed 02/01/2006

Page 2 of 3

A GENT.'INE MERRHM.WEBSTER It is used by a The name Websteralone is no guaranteeof excellence' selvemainly to misleadan unwarv buyer' publisherJ;;;"t ;;b";.f *!* you col-sider Meniam-webslerru is the name you should lgok for referencebooks' It carries the the purchaseof dictionaries o, oth", fine 1831and is your reputation of a comf*V thnt has beenpublishing since "siut*"" of quality and authority'

INCORPORATED COPYRIGHT O 1993BY MERRIAM'WEBSTER'

PHILIPPINES COPYRIGHT 1993 BY MERRIAM'WEBSTER'

INCORPORATED

DICTIONARY WEBSTER'S THIRD NEW INTERNATIONAL 196I PRINCIPAL COPYRIGHT Library of CongressCatalogingin Fublication Data ' Nlain entrYunder title: rsl language' \" ebsterlsthird new international dictionary ol$e]+-gl. Babcock M ii chief, Philip ilffiG;iJii;ffi:w;bster/editor tle Merriam-webster editorid staff' e;;;t p. crn. ISitN C8771v201-l 1. English language-Dictionaries' I' Gove' Philip Babcock' lg}2-lr7 2- tl.Veiriam-Webster' Inc' 1993 PE1625.W36 93-10630 4234c2O cIP

by rtt.copyrighl,s.heregy-yYy,^be No AIt nshts resemed. part of this -brrrk covered or ilectlronic' mechanicaL repduced or copiedin dnyform or.Al oil""iii&i*A retrieval systemvwithout iicludins. ohotacopyingtaping, or information storaie and of witten peimisston- the publisher'

MADE IN THE UNITED STATES OF AMERICA 5 0 s lQP/H00

Case 2:04-cv-00085-DF
ilysiidoe
i li. va l i i Jitd a.e - ri . s . Tr

Document 38

Filed 02/01/2006 I t28

Page 3 of 3
im
i m a g . i n . e r \-j(5)na(r)\ n -s [ME, fr. ir
that tmaglnes pres part o/ ttrmce imaging im.ag.ism Vimi,jizam, -mE,-, -ma,-\ n poetry (as in America and England t a d v o c a t i n g c o n c r e t e l a n g u a g e a n d f i emre -u subject matter, freedom in the use of romantic or m-vstic themes - comDare .( -s ltimage +'-isrl : rim.ag.ist \-.-i5st\ n precepts of imagism 2im.ag.ist or im.ag.is.tic \"\ \:,,:iis irn.ag.is.ti.ba r e l a t i n g to imagism -li\ adv -ma(-, -mdG\ n, pl in ima.go \.'ma(.)ed, \-ma-ga.nEz; -miga.nEz, -mdg-, -,nds: -rr fr. L, image - more at IMA(;EJ I : an i sexually mature usu. winged state - cor PUPA 2 : a conception of the parent t unconscious. elaborated by infantile ol wirh the affect pertaining to the infa; idealized mental image of any person in imam \a'mlim, (')el-, -mam\ z .s IAr i. leader of a mosque 2 | the caliph who i ular head of Islam 3 : one of the tw leaders of the Shi'a appointed to guide r earthly representatives descended from pointed head of the Muslim community of the four orthodox schools of Musli : any authoritative Muslim scholar who terpretation or is followed as an authr law 5 : any of various sovereign prin, from Muhammad and that exercise sg leadership over a Muslim region z -s oJtcn cap I : tl imam.ate \-dt\ 2 : the region or country ruled over b Yemen) i m a m i \-E\ n -s lAr imdmi, lr. intdml u: iman.to.phyl.lum \ (.)r,mant:r'fibm\ h i n a n t o - (fr. himant-, ftintas thong) * CLIVIA a -s lTurk, fr. .A.r '; ima.ret \i'mllrit\ inn or hospice in Turkey n, usu cap I ltr ima.ri ware \i'rnlirE-\ it is madel : a Hizen porcelain cbaracr, red, green, and blue with a design ot blossoms or hedges of brushwood gr< rocks nltin- + balance irn.balance \(')im+\ as a (l) : loss of parallel relation bet of the eyes caused by faulty action of th, (2) : : often resulting in diplopia equilibrium (as in a gland) b : lack ol ments of a nation's economy (as betwe international payments or between cor disproportion between the number of r population vr -EDl-rNc/-s tzin- * barn (n.) imbarn or store in a barn : GARNER r.'ar o/ euanse in.base \im+\ n -s [Turk] : a co im.bat \(')im:but\ the Levant (as in Cyprus) aLso im-ba.ub im.ba.uba \,imba'iiba\ a m b a i l b a , intbailba, umbaiba, fr. Tup : TRUMPETWOOD n -s lPe imbd, fr. TuF. im.be \(')im:be\ derived from the stems of an epiphytic d e n d r o n imbe) 2 : the plant that yield lim.be.cile Yimbasal a/so -(,)sil or -,sil IMF imhecille, fr. L imhecillas weak, \ i n - + -becilluj (perh. fr. hacillus, bacill. at BAcfLLUs] | archaic: WEAK. FEEBI-I of, relating to. or imbecillusl a: b : markedly inane, idiotic, foolish, r eeneralized term of contempt 2imbecile \"\ n -s lF imhftile, tr. ir marked by mental deficiency: as a : ol normal aleraee intelligence and intell usu. above thit of an idiot but below feebleminded Derson who has a menta t h r e e to seven years and who requires vision in the performance of routine ' (as feeding anil clothing himself) 2 : r seneralized term of contempt syn see -Elll' im.be.cile.lv \-al(l)l, -il(l)1, -ill|' manner im.be.cil.ic \limbaisilik, -il6k\. adl : eestive of an imbecile (an - grrn) (-i\ n iir.be.cil.i.ty \,imba'silad.E, -lat.' L imhecillitat-, imhecillitas weakness, I a: I imhecillus + -itat-, -iras'ityl INABILITY beins weak b : tlclPlclrY, imh{citlitifr. L imhccillitat'. inrheciL - compe state of b6ing mentally weak 3 i- : comrrteie nonsense : utter foolisht l i v e without food): also : FLrrlLIrY foolish or nonsensical i m b e d uar o/ tt'.lneo adi lL imbeth imbellic iiiir6rriorisZt-n f r . bellum war) * E 'ous ot -ic : not warlike vb -eo1-rxc/-s Iil I irir.blbe \;n'iuiut fr. MF embiher' ft. L i,nhihere to drrl zin- * bihere to drink; in other senses' vt L archaic : 10 cause. tr a t poreslel the mind and t z i'-: i6-ii.eiuJit'to b : to assimilate (at .oioi oii".iptis) 3 a : to consumq take irito soiution quantities of strong coffee) b : to drl chn - as much nourishment lhrougn.l (a sponge l'?rnrt roots -F.J.Tavlor) 1 : ontNrc 2 2 a z to take in or uP llqu siri.rifiii i"Ji.t"te,-gas, light, or heat. n -s : one thal.JT im'bib'er \-iba(r)\ -m.'br'Drim.bi.bi.tion \,imbe-'bishan' ME intbybyct'oii. fr. Uf intbihition' lr' ol i,tthilier:e\'+ MF -io'r.' in other sens -ion) L obs ? 2 saturation wlth or'so.lt trri'"T ioiia aita liquid bv such tmbr action of imbibing: as a : the. taKrn rrr. fluid bv a colloidal systemresulltng i'Jtil 6i" i*ptinut ion-of cert ain biolot water bY desert Plants) i"i;;i,i;"-;T ivxennsrs 2 b : tvslerrtoll PRocEss -sh -"t . i m "i,il iri.iion.ii { :, r,l' :ui'han'l, na "tti.aiietized bY imbibition process.Dv n:a i-n i n i n i l i 6 n Foce.s! it pro?uced bv- absorption'ol -a iii"t absorDiiii"i lnthg" or a differentiallv pre\ lc "-titiiu. iredium or in which a bv absorption f rom. one i't iiu.Jt"ii"a

h e i e h t e n the notion of extravagant fancy far transcending the fr. rl/sra, genus of burrowing \,ila'sia.dE\ [NL, or real (one oithose eoan er-rors to which we u i u ? i . oiainaii, ck ilys mud * NL -ia) * -idae; akin to oslav t'fti i i e suUject bei6re the ciear commonplace of d.aylight orders m u d l * -idael syn o,f lxlluole our tenebrous and'fantastical imaginations ina-m.idlrates i m - - see lN -Rose Macaulay) (a Jantastic world inhabited by monsters of im abbr immature Bromfield) (two heroes may mangle steel :L<iuis iron-ind 3 intramuscular I ' l l l abitr I imperial measure 2 inner marker iiitt oittei in ivery impossible and lantastic way' be-vorld the l i m . a s e Vimil, -mei\ n -s I ME, fr. OF, short for imagene, fr. L -H.O.Tavbounds oi ihe faintest'shadow of verisimilirude i m a p i - n - . imaib: akin to L imitari to imitatel I : a reproduclor) CHTMERICALsuggests the wild, utterly lrnrealr a-nd .ext i o n of a pdison or thing: as a : sTATUE b (l) : DEvIcE, (2) : a figure used as a talisman or amulet esp. in t r a v a g a n t l y imaginari characteristics of creations of classical EMBLEM (the-defeit was more complete' more humiliating -vttiStoe./ c o n i u r a t i o h i (as bv sorcerers in casting spells) c (l) : plcrunE' -Times Lit. Supp-) pon-rnlrr (2) : a sculptured or fabricated object of symbolic . - 1 . ttte fr'6pis of revival more chimeriial ( a s cihimerical as a specter -Bernard Smith) QUIxorrc describes 2 : a thing v a l u e : tool: speci.f i a holy picture (as an ikon) i o m p l e t e l v unrealidtic and impractical devotion to romantic repioducing -dnoth-er: a.s a (!) : the a c t u a l i y or ieemiigly o r c'hivaliic ideals (was quixbtic, and would not permi-t a of an object produced by a lens, mirror, or opticalcounterpart Jc.K.Chesterton) (among the last -oi e i e crro tti " service and spies o i h e r optical sistem and being the geometric figure made up - see acts of his'life was an attempt to set up a Greek o f the foci corresponding to the points of the object (be so Kreymborg) i c a d e m v for asoirins authors -Alfred R E A L IMAGE. VIRTUAL IMAGE (2) : an analogous phenomenon q u i x o t i i as to sAnd upon principles at the risk of losing the (an electric -) i n some fieli other than optics'(in acoustic;) business -R.M.Cunningham) prbduced on a photographlc. mab : any tikeness of an obiirct 2:a n -rs l-obs : a figment-of imagination \"\ t a n g r b l e o r zimaginary t e r i a l 3 : e x a c t l i k e n e s s : S E M B L A N C E+ A 2 a c o m p l e x numbei (as 2+Ji) whose imaginary part is not zero v i s i b l e representation : INcARNATIoN (a civil servant who is n : TMAGINARY 2 number tnaginary b archaic : an illusory appear' "3i" t h e - of conscientiousness) in piif number (as t : thi part of a.comple: i a n c e : A P P A R T T | o N 5 a ( l ) : a m e n t a l p i c t u r e : T M P R E S S I O Nr n : t E i n i r i 2 + - J t ) thaahas the imalinary unit as a factor ( a iotdier haunted by -s'df battle) (-s, as contrasted with 'a -Bertrand narrative unit n : the positive square root of minus I : +v-l imaSinary s l n i a t i o n s . are the r-esponses duridg - svmbol i Russell) i2) : a mental conception held in common by memz -s IME imasinacioun, fr. \5,maje'ndshan\ b e r s of-a group and being symbolic of a ba,sic attitude and i m a d . i . n i . t i o n M F - imasination. Ii. L-imagination', imaginatio, fr. imaginatus something (as a person, class' racial type, orientation-toward ( p a s t pait. of imaginari to imagine) * -iqn-' -io -ion - more (the Frenchman's - of pitiiiiii pt it"sophy, or nati6riality)' i i rvl-CrNil I : af act or proceis oi forming a-conscious idea in psvcholgsv-that L;;;i;i b : ttie m'emory of a peiieption of something never before- wholly perceived 6 i rie.liii-ige i s moAifiea bi subsequeni expeiience an{ tlra.t contains both i n reality by tfie imaginer (as through a synthesis of rememi-nd emotional el'ements elicited by itltrapsyctric intiiiectuai ei.m6'nts of pr-evious sensory experiences or ideas as 6i."d a n d extrapsychic stimuli; atso : the representation of a stimulus -oOiti"a bv unconicious mechanisins of defense); a/so : thg o t ] G c t on'i ieceptor mechanism c : lbe.c, coNcEPT (conflicting a b i l i t y or gift of forming such conscious iCeas or mental -i 6 : a markedly vivid, effective, -or of eood arid evil) i i " i " 6 s eso.-for the purposEs of artistic or intellectual creation p.-"ohic'r.o.esentation oi description (lhe set for the play appreh'ension of corporeal objects, if present,.. is ? o J i si.Jl" 7 a : something 6 e i n e the l- of a New England village) 2 a : creative abilitv (as in a poem or speech) to i e n s e : if iUseni. is - -Joseph Glanvill) i o n c - r " t e or abstract introduted b 3 ability to confront : cer.ilus (the ireat -s of iiterature) something else which it strikingly resembles or sugrepresent problem : RESouRcEFULNEss (the attempt a n d deal with-a compare EMBLET'I' g e s t s (as the use oI sleep p iot c h ' s e e death) that the situation demands) (as'a m,etaphor-or simile) s h o w s sueeestions of the b I a figure of ivlisoioi scheming esp. of evil : plor (-all their 5 ;d :-;Ti;tting I ! a person who is strikingly like .another person ! rnope -Lam - oI 3:60 (A'v)) iit their -s aEain'st me u.neia;lci'anO i n appearance, manner, or thought (a son who rs the 4 a : a mental image, conception,- or notion formed by the h i s father) -eol-lNc/'s I :. to actioir of imagination- b: a-creation of the mind-; esp I al riiiiaE'd-t1', ples part -mej\.vr chieJly in of folk pgetry) i d e a l i z e d or ioetic creation (the gory -s d e s c r i b e or portray in language esp. ln an ellecllve or vlvlo (we no c : fanciful oi empty assumption (idle -s) -5 3 -p.opglar or manner 2 j to cail up a mental piCture of :,TMAGIN-E or hccepted conception (the Magna Rossetti triditional belief :'usual i 6 n i e r - itti native landscape in the terms beloved of (q C h a r t a . . . has operated in the meaning given it in - rather Brickley) u n d " f e n n y s o n -Vincent Q a : nrn-rcr, vtnnon Dewey) t h a n by its literal contents -John b : to make appear (as ln deslred f a c e imased in a mirror) svn FANCY. FANTASY. PHANTASY: TMAGINATION, freer of (film imased on a screen) -4 a- : to create a f q , r m ) : picrrrcr than the other terms' is the most ptptcr-, PoRTRAY (a national heto imaged diiogaiorv cbnnotations ol: iipiesintition applying to the power of creating, in the mind "oinJiettiittiu", in'bronze on a viltage gredn) b (t) : to create or produce a is in a literary work, images of things o r iri an outward'foim s u e s e s t i o n of: ADUMBRATE (a symphony imaging the beaqty burabs"nt, of things never seen o^r never seen in (2j : to represeni syinb6lically : stand as a symbol ;;;; [;oil oijr'attrre) war) t f i l i i iritir"iv. oi itrines actuallv-nonexistent, of things created o f (acres bf headstonei imaging the losses of n e w fiom diuerse old elements, or of things perfected or i m a i e dissector z : a camera iube resembling the iconosco,pe i d e a l i i e d : it mav carry the implication of mere tr-icky cona n d - having the electronic image focused electromagnetically of ihings irnreal oi od.d, b-ut is more frequentlv an aperture and voltages that are subsequ-en^tly ; o ; i i ; ; - ; J throueh n e a r r the other extrem in suggesttng the genulne arllst's g,ut a m p l i f i e d and iransnritted as television-picture si8nals being and creating the o f oiiceiuine more deeplv oiessentiallyo r o d u c e d bv electron multiplication the sidnificantly new and vita.l (all.youth int.ieitineif-und bv absence of mental adl : cliaracterized irii-age.tess \-lis\ i i v e s much-in reverie: tliereby th-e stronger minds anticipate i m a g e s (an - thought) a n d rehearse themselves for life in a thousand imaginations x : a iamera tube that is similar-to the icono- i i ag" i md - o e oittricon -H.G.wells) (imagination being little else than another name or the orthiion and uses secondary emission and'elecButler) (the imagination is able to f o i illusion -Sanii.rel to produce the voltages that are subsei r o i r multiplication m a n i p u l a t e nature as by creating three legs a-nd -five arms but q " e n t l v aniplified and transmitted as television-picture signais -Wallace stevens) -mEj-\ r -s : one that images : a vivid i t ii riot ible to create a totally ntw nature im.ag.6r \jimija(r), ( t h i production of vivid images, usually visual images '- . . is d e s c r i b e r or Dortraver t h i c5mmon.st and the least iiteiesting ihing which is referred fin.as.ery \-i'(a)rE, :ri\ n -Es IillE imagerie, fr. MF, lt. image * -I.A.Richards) (a-broduct of fancy rather t o bv iiisiiarior - e r i i - e r i ) -or f : the product of im49e makers (as a statue' if one accepts fancy as decoratrve anc t h a n imaeination -L. idol) : rvrces; also : the art -of ma-king images emUtem, Travers) (imagination' in i m a p i n a f i 6 n as creative -Pamela 3 : ornate or heightened d-escription "opinion. Z otts zir'lloe w'onsslP gets at relationships that are true at the deepst his o r figures of speech; speciJ 2 the often peculiarly individual l e v e l of exDerience -F.A.Pottle) <imagination ts som-ethlng c o n c i e t e or fieirrativ-e diction used by a writer in those pora f i n to *tidi itwis in wordsworth, a means of deepest insight i i o n J o t his tex-ts where he wishes to produce a particular effect Pascal) (it, is onl-y- thro.ugh imagination ( a s a special emotional appeal or a train of intellectual assoa n d sympathy -Roy --) -Bertrand t h a t fren'bec6me awire of wliat the world might be (Shakespeare's 4 : mental images; esp ? the iiitionil R u s s e l l ) FANCY now usu. suggests the power to conceive and p r o d u c t l of imagination (psychotic -) g i v e ex6ression to images of ifiings rembved from reality, -usu. i m a g e s nl oJ tua,oe, pres 3d sing ol ttvtlc-e pureiv, someiimes frivdlouslv thoush often delight6 i itrirli i m a E e siicer n : an'dttachment foi a stellar spectrograph comoften contrasting with ttrlr.ctNnrlox in sug' f u l l y , iiraginari, o r i s l e d of a svstem of very small mirrors that direct strips of often factitious power of inventing e l s i i h ; i iloie-iuperficial l i e h t from vaiious portioris of the star-image disk so that they thereby inI h e no=vel or unrehl by recombining existing elements as opp i s s throueh the narrow slit of the speitrograph p o s e d to the imaeinaiion's gift of grasping a deeper, more of the star's speitrum several times i r e a s i n g thE intensity b r e a n i c realitv (tike all weak men of a vivid /ancy, he wps i m a g e Slace n : a slace in connection with an optical system point in fralmiirg dramas of which he was the towering lord coistintiy e i i f , of-whose poinis is an image of a corresponding -G.D.Biown) (the associative faculty performs, to a varying t h e obiect space extent in individual cases, constantly shifting arrangements i m a s e tube n : CAMERA TUBE a n d reairansements of the-data of observation, thought, feeln ! the worship of ima-ges as the special resiworstrip imaEe i n g . . . whic'h Coleridge distinguishes froni jmagination by the d e n c e of a divine spirit or supernatural power : IDoLATRY (in a creative artist the imagw 6 r d Jancy -George-Whalley) IME, fi. LL imaginabilis' Ir. tmac.in.able \a'mai(t)nabal\-adl -abiiis -able - more at turctNrl i n a t i o ' n fu'nctions .I . in three ways. It is partly mete Jancy, L i'maginari t6 imag'ine * -K'P'Kempton) -) which moves happily into make-believe : capable of being imagined : coNcElvABLE (the biggest lies j n -Es F A N T A S Y Or PHANTASY Suggests the power of unrestrained, imag.in.able.ness \-n5s\ situatioh) iani o f t e n extravasant or delusi-vE, fancy, siressing the unreal more adv imds.in.ablv \-blE,-bli\ is used more frequently than FAI{TASY t h a n fancv: pirvrlsv in sense 4 -mdgan- or 'm59an- or imaci-.nal \5'maian'1. - m a l 1 n - or -mdiair- or -maien-\ adi limagine * -all I : of or i n thd tec6irical sense of image-making power in general (hard (- objects) i o sav wbere the actualitv ents and t}lieJantasy begins in these 2 tLL imasinalis-, fr. L r e t a [ i n g to imalination -B.C.L.Keelan) - more at IMAGEI : of or re(fairy stories and Jatttasy,ate s k e t c h e s of f ife i m a e i n l . imapoimaee i -alis -al R. Davis) (an appealing ohenomenallv popular -Lavinia l a t i i e t6 an image (the idea of weeping can be translated into i o n t o " v - tho;qti its appeal does not lie in what is fantastic imagin-, 3 tNL its J equivalent. as rain -K.D.Burke) -Timel (a -al7 2,relating to mental images 4 INL imagin-, a b o u t - i t . It lies in whht is realistic and homely i m a s o *'E f a n t a s y . . . may be distinguished from the representation of i m a i o * E -all Z of or relating to the insect imago n-ot opposed tothaf actually Exists, but it. is iomeifring bud n : one of the clusters of unilislr a/so imaginal tmaiinal "e3cape" "realitv"-and from reality' Thus, the idea of not an d i f f E r e n t i a t e d cells in the larvae and pupae of some insects from a ratio-nal society, or the image of a good house to be b-uilt, or w h i c h the wings, legs, and other organs of the adult are formed i t r l siori ot something thal nevei happened' ,is a. Iantasy imaginal type z : a tendency of an individttal to have im-ages -Lionei (this mechanical man or robot idea has Trilling) from one or another sense (as from a r i s - i n g pr6dominantly -p.C. b e e n decidedly 6veidone in the writings of. Jantasy v i s i o n , hearing, or taste) F u r n a s ) (a milture . . . of comic phantasy, improbable advenn -i IL imaginant-, imaginans, pres' part. oI imagi' imasinant (a novelist is a person - more at IMAGINEI obs : IMAGIIIER colors -G.E.Fox) i u i e inO'rainbow n a r i to imagine De w h o has a highly developed gift of -phantas.v-.-Bernard adv a in an imag.i.nar.i.ly \SimajalneralE, -li, .i.;a';er\ V o t o ) (its inveniion is 6ased on tht extinction of a wish i m a g i n a r y manner -D.F.Tait) -rin-\ z -Es : the quality or oionio"i beioneine to the period of pubertv imag-.i.nir.i.tlss \5'z:,nerEn5s, uon'-al \-shan'1,-shnal\ adj : of , relating to, involviinag'i'ria' s t a t e of beins imaginary f imag.i.nary i n s l caused bv. or suggestive of the imagination \:'maja.ner, -ri\ adj tME, fr. L,imaginarius, lr. j(J) nald. liv, -ia,nel, Ii 1,. -arius -ary] JEv also- lav\ -adi I a : having no real i m C l . i . na.tivri'\r'ma i m a g l n a r i td imagirie'* 'lvej I : ol or e x i s t e n c e : existing only in imagination or fancy : UNREAL, I M E , fr. MF imaginatiJ; ft. imagination + --iJ. (to guard the cattle against ielatine to the imaginaiion: as a : created, inspired, guided' F A N C T E DFrcrrrrous, HyporHFilcAL , -J.G. or drain from thelmagination and not from known facts or t h e i r real and their - foes. the wolves and the witches b : tending to provok-e, excite, or s o u r c e s (an - biograpliy) Frazer) b : formed, characterized, or ascribed outside the c (l) : able to e n l i v e n the imaeinatidn (a few - comments) e v i d e n c e of reality I shaped, endowed, or attributed imaginah a n d l e new or d-ifficult pioblems : REsouRcEFUL (3.Young-and tively or arbitrarily (thsstatue of John Harvard ... is an -Amer. (2) : imbu'ed with or showing an ability to draw - seneral) l i k e n e s s ; no portrait of Harvard is known to. exist c o n - c l u s i o n s , iu!gest hypotheses, make comparisons' or.create G u i d e Series: Mass.) 2 obs : of the nature of or suggesting an of a poem) (an - critic) (s v s t e m s (an --interpidtation 4 ! containing or related to the i m a g e 3 obs : IMAcrNArrvt (3) : full bf freshness, originality, or vividness (research) imaginary unit ( patternsi d i devoia of truth : FALSE the report of his death FANTASTTC! CHIMERICAL,QUIXOTIC: S Y N FANCIFUL, VISTONARY, w a s wh<illy -) 2 : of or relating to imagesl esp : showing a I r u t . l c r u n v stresses lack of reality; it indicates an existencg not fact (those d i s t i n c t i v e . or-fine- comma-nd of artistic i.maggs (:- diction) ascription by imagination, formation, or adv : in an imaginative manner rii.i.na.tive.ly \l5vle-, li\ n e r v o u s persons'who may be terrified by imaginary dangers a 6lay produceii -) (an - planned garden) a r e often couraseous in the face of real danger -Havelock

ini.[i.iil.;ii

russil, fr. Tupi b;;;-i':;';ttlsl

embirusstt' ' -'P",':.:.::*' : a. timber t'!9 o^t,),1 ili;l [ ;;" i'#E,1i"ii'iliJ

-Iiji'.u\ -1,\limuaraisti,
ImotruJs.u'