Apple Inc. v. Samsung Electronics Co. Ltd. et al
Filing
1381
Unredacted Declaration of Brett Arnold ISO Samsung's MSJ by Samsung Electronics America, Inc.(a New York corporation), Samsung Electronics Co. Ltd., Samsung Telecommunications America, LLC(a Delaware limited liability company) re 1256 Order on Administrative Motion to File Under Seal, (Dkt. Nos. 930, 943) (Attachments: # 1 Exhibit 1 to Arnold, # 2 Exhibit 2 to Arnold, # 3 Exhibit 3 to Arnold, # 4 Exhibit 5 to Arnold, # 5 Exhibit 10 to Arnold, # 6 Exhibit 11 to Arnold, # 7 Exhibit 12 to Arnold, # 8 Exhibit 15 to Arnold)(Maroulis, Victoria) (Filed on 7/26/2012) Modified text on 7/27/2012 (dhm, COURT STAFF).
EXHIBIT 3
Highly Confidential - Outside Counsels' Eyes Only
Page 1
1
UNITED STATES DISTRICT COURT
NORTHERN DISTRICT OF CALIFORNIA
SAN JOSE DIVISION
2
3
4
5
APPLE INC., a California
corporation,
6
Plaintiff,
7
vs.
CASE NO.
11-cv-01846-LHK
8
9
10
11
12
13
SAMSUNG ELECTRONICS CO.,
LTD., a Korean business
entity; SAMSUNG ELECTRONICS
AMERICA,INC., a New York
corporation; SAMSUNG
TELECOMMUNICATIONS AMERICA,
LLC, a Delaware limited
liability company,
Defendants.
____________________________/
14
15
16
17
H I G H L Y
C O N F I D E N T I A L
O U T S I D E C O U N S E L O N L Y
18
19
20
21
VIDEOTAPED DEPOSITION OF JONATHAN IVE
SAN FRANCISCO, CALIFORNIA
THURSDAY, DECEMBER 1, 2011
22
23
24
25
BY: ANDREA M. IGNACIO HOWARD, CSR, RPR, CCRR, CLR
CSR LICENSE NO. 9830
JOB NO. 43920
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Q
And in your view, is -- is that construction
2
or design of the -- the bezel more important to the
3
design of the -- of the first iPhone than the home
4
button in terms of an overall feeling and appearance
5
that the -- that the design creates?
6
A
Yeah, I'm not comfortable answering that
7
question, because I think to -- to answer your
8
question properly, I would actually need to make
9
models and experiment with changing those.
10
11
So I
actually don't know.
Q
One element that you did mention as being
12
important, in your view, was the display and it being
13
centered.
14
A
Right.
15
Q
If you could please tell me what you mean by
16
that.
17
A
Well, the -- the actual display as a
18
component is obviously important.
19
great innovations here, of course, was that it not
20
only gave you video sort of output, but that it was
21
that you touched the display.
22
primary means of -- of interaction.
23
It's -- one of the
So that was your
And so the display, as we thought about it
24
from a design point of view, was an important
25
component, and so its position, relative to the
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perimeter of the product, was also important.
2
So we have it centered with equal dimension
3
on the -- I could -- if I call it the forehead, that's
4
the area above the display; and also the chin is
5
another way that we would talk about the area below
6
the display.
Those are the same size.
7
The vertical -- the -- the vertical columns
8
on either side with the -- you know, the black mask
9
are also the same size, so it is symmetrically
10
positioned within the product.
11
And as a handheld product that you would use
12
in this way, that seemed -- that seemed important to
13
us.
14
15
Q
And you began your answer by saying that the
display as a component is obviously important.
16
If you could please tell me, what do you mean
17
by that?
18
important?
19
A
Why was the display as a component
Well, if you didn't -- if you did not have
20
that component, that element within the design, the
21
phone wouldn't function very well, as it would be very
22
difficult to use.
23
And I described that what was particularly
24
significant in the case of the first iPhone was that
25
the display was combined with a multi-touch panel, a
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multi-touch sensing panel, and so that it was also
2
your primary means of input, so that you would relate
3
to the display in multiple ways:
4
to see who is calling, that you could look at
5
photographs, you could look at video, you could look
6
at your address book, but then you could directly
7
manipulate the information that you saw on the
8
display.
9
Q
That you would look
And did all that, that you've described about
10
the display, have an influence on -- on the design of
11
the -- the external appearance of the -- of the phone?
12
A
What that did was make it very clear in our
13
minds that the display was important, and we wanted to
14
develop a product that featured and deferred to the
15
display.
16
So we -- some of our early discussions about
17
the iPhone centered on this idea of, as I mentioned
18
earlier, this -- you know, this infinity pool, this
19
pond, where the display would sort of magically
20
appear.
21
Q
You mentioned that as part of this process,
22
that it became clear that the product, namely the
23
iPhone we're talking about here, would defer to the
24
display.
25
What do you mean by that phrase, "defer to
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2
the display"?
A
I think that's another way of saying that we
3
did not want to develop a design.
4
designs that we explored, none of them we explored did
5
anything to -- to undermine or detract or distract
6
from the importance of the -- the display.
7
Q
In any of the
And was part of the reason for that that
8
the -- in the context of a -- of the iPhone, that the
9
display screen itself was the main way in which the
10
11
12
user interacted with the device?
A
No.
When we are at these early stages in design,
13
when we're trying to establish some of the -- you
14
know, the primary goals -- often we'll talk about, you
15
know, the -- the story for the product -- we're
16
talking about perception.
17
feel about the product, not in a physical sense, but
18
in a -- you know, in a perceptual sense.
We're talking about how you
19
And so it's just -- it was very clear
20
having -- just how important and in some ways magical
21
this display and the -- the new user interface was,
22
that we wanted to -- to, from a perceptual point of
23
view, create a design and a design story, create an
24
appearance that would in some ways augment that.
25
So I mentioned the way that when the display
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switch is on, that just feeling magical, feeling
2
surprising, we're talking about a number of years ago.
3
This may now seem -- we got used to products that do
4
this.
5
seemed -- this was very new, and it felt there was
6
real opportunity to develop a design story based on
7
those sorts of preoccupations.
8
9
Q
But at the earliest stages of this design, this
Regardless of the -- the design intention
behind it, do you think, as a practical matter, the
10
fact that the display is the primary way that a user
11
interfaces with the -- the original iPhone means that
12
having a design that defers to the displays that you
13
mentioned means that there's less distractions for the
14
user in actually using the screen?
15
A
Can you make that a shorter question?
16
Q
Sure.
I can -- I can try that.
17
In response to my question, I was asking you
18
about the phrase that you've used, which is that you
19
didn't want a design that undermined or distracted
20
from the importance of the display, and you've also
21
used another phrase, which was that you have a design
22
that deferred to the display; do you recall generally
23
talking about that?
24
A
Yes.
25
Q
And I had asked one question about sort of
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design intention that you've now already answered.
2
A
Yes.
3
Q
Now I wanted to ask a slightly different
4
question --
5
A
Right.
6
Q
-- which is:
As a practical matter, do you
7
think the fact that the display screen itself is -- is
8
the main point of interaction that a user has with the
9
original iPhone means that having a design that defers
10
to the display, as you've -- you've meant it or as
11
you've mentioned, means that the user is less
12
distracted from -- from that interaction with the
13
screen, just as a practical matter?
14
A
I think what we've found, given that overall
15
goal, was that there were -- there were many solutions
16
that we explored that met that -- that goal of -- of
17
elevating the display and creating that sort of
18
hierarchy.
19
And I think that the design that we chose,
20
based upon its appearance, was one of many that --
21
that there would be less distractions during use --
22
less visual distractions during use.
23
Q
So if I understand you correctly, the -- the
24
design solution that was actually chosen for the
25
iPhone that you've described, as a practical matter,
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it does create less visual distractions for the user
2
when interfacing with the display?
3
A
Yes.
What I'm -- what I'm saying is that as
4
a consequence -- not as a goal, but as a consequence,
5
amongst the many other alternatives that we looked at,
6
I think that would be true.
7
8
Q
Have you read the -- the Walter Isaacson
biography of Steve Jobs?
9
A
I've read a couple of pages, yes.
10
Q
Were you interviewed for that book?
11
A
I was, yes.
12
Q
And do you recall about how many times you --
13
you were interviewed by Mr. Isaacson?
14
A
I recall we had one -- one interview I would
15
call a primary interview, and then we met on one other
16
occasion; and I think we may have had one telephone
17
conversation, but I'm not certain.
18
19
Q
So your best recollection is it was
approximately three times?
20
A
We -- well, your question was "interview," so
21
no.
22
you would, I think, probably characterize as an
23
interview; we met on one time when I showed him the
24
design studio, and then possibly we had a short
25
telephone conversation.
There was one time when we were -- we met in what
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Q
So in terms of the -- the number of times
2
where you had some type of oral communication with
3
Mr. Isaacson, whether in person or by phone, your best
4
recollection is that there were three of them?
5
6
7
A
No, my best recollection was there's two, and
there's a possibility of the third.
Q
And how certain do you feel about the -- the
8
third?
9
50 percent?
I mean, is it more than 50 percent?
10
A
I'd say it's 50/50.
11
Q
Less than
Right there on the edge.
12
Did you read the portion of Mr. Isaacson's
13
book where he talked about -- well, actually, let me
14
step back for a second.
15
There were terms or codes that were used for
16
different iterations of the potential design for the
17
very first iPhone that went something like P1, P2?
18
A
Yes.
19
Q
And do you recall that in one of those
20
earlier iterations of the iPhone display -- or excuse
21
me -- the iPhone design, that the front flat surface
22
had a rim that ran around the -- the display screen?
23
A
I'm sorry.
I'm slightly confused by -- so
24
this is a question that's discrete from Walter
25
Isaacson's book?
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the -- the user to be able to pick up the -- the
2
tablet with one hand from underneath?
3
A
No, that wasn't a goal.
We -- we made the
4
observation that if that's something that we wanted to
5
enable, that meant that our exploration would be
6
concerned with the sorts of formal solutions that I
7
mentioned.
8
many of them.
9
Q
And there were -- there were -- there were
Well, then, I guess setting aside, then,
10
the -- the terminology about a goal -- maybe it's a
11
little easier that way.
12
In terms of the -- the final design for
13
the -- the first iPad, was there anything about the
14
design that, as a consequence of the design, made it
15
easier for the user to pick up with one hand from a --
16
from a flat table, for example?
17
A
Could you just clarify which iPad we're
18
talking about.
19
or the --
20
Q
The first iPad that actually went to market.
21
A
That went to market.
22
Is it the iPad in the -- the patents
Yes, it was one of the -- the many that we
23
explored that had the -- the rear surface developed
24
up.
25
In the case of the first iPad, the -- there
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was a vertical wall that ran around the perimeter of
2
the product.
3
wall was -- I don't know how many millimeters, but was
4
a number of millimeters above a surface if you were to
5
rest it on a surface.
6
Q
But the bottom edge of that vertical
Whether or not it was the -- the goal of the
7
design of the second iPad, the iPad 2, was there
8
anything about the design in the iPad 2 that, as a
9
consequence of the design, made it easier for the user
10
to pick it up with one hand from a flat surface, such
11
as a table?
12
A
I'm sorry.
13
Q
Sure.
Could you repeat that.
It's basically the same question I was
14
asking before about the first iPad that went to
15
market.
16
A
Yes.
17
Q
Now I'm asking about the iPad 2.
So I'll
18
just restate the whole question, but just so you have
19
a sense of where I'm --
20
A
Yes.
21
Q
-- going with this.
22
23
So setting aside whether it was the goal or
not of the design --
24
A
Yes.
25
Q
-- as a consequence of the design that was
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actually used for the iPad 2, was there anything about
2
that design that made it easier for the user to pick
3
up the iPad 2 from a flat surface, such as a table?
4
A
Yes.
I think the overall principle is
5
similar to the first iPad, even though the formal --
6
the -- the final definition is -- is different.
7
But the -- it's the same principle, which is
8
there is an edge that is essentially raised from
9
the -- the desktop, and that your fingers can go
10
11
underneath.
Q
Did you have any involvement in the -- the
12
design or the creation of the application icons for
13
the iPhone?
14
A
For the first iPhone?
15
Q
Right.
16
A
I recall Steve showing them to me during a
17
number of stages in development, and we had
18
discussions.
19
were, but I do recall seeing them.
20
Q
I don't recall what the discussions
Did you make any comments or have any input
21
into the -- the look of the icons or the -- the layout
22
of the icons for the first iPhone?
23
A
I recall being shown the work.
I recall
24
discussions about it, but I couldn't describe that as
25
input because I don't know.
I can't recall whether --
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I can't recall what I said, and I can't recall if
2
there was a consequence to anything that I said.
3
Q
Do you recall whether the shape of the icons
4
that you saw in the versions that Mr. Jobs showed you
5
were in the form of a rectangle with rounded corners?
6
A
I think -- yes, I think I recall the shape of
7
the icons, and that they were square with -- with
8
radii on each of the four -- four corners.
9
Q
And do you have any knowledge or information
10
as to what the source of that shape was?
11
words, where that shape came from?
In other
12
A
I -- I don't recall.
13
Q
Do you know whether that shape was based on
14
prior icon shapes?
15
A
I don't recall.
16
Q
Do you have any knowledge or information as
17
to the -- the source of the icon layout that was used
18
for the first iPhone; namely, that kind of grid
19
pattern?
20
A
21
No, I don't recall.
I think my involvement was very much Steve
22
showing me, This is the work that's being done, and --
23
and then I would assume with being -- asking my
24
opinion, but I don't recall that.
25
Q
Do you recall having any other communications
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three-dimensional designer, I find that very difficult
2
to answer.
3
4
5
6
7
8
MR. ZELLER:
And so when you say
"difficult," does that mean you cannot answer it?
A
I cannot feel comfortable with -- that I've
answered your question well.
Q
Well, I'm trying to find out:
Are you saying
it's impossible to answer my question?
9
MR. JACOBS:
10
11
Q.
THE WITNESS:
Object to the form.
Could you ask me your -- your
question again.
12
MR. ZELLER:
Q.
Focusing your attention on
13
the -- the design that's shown here in Exhibit 1178,
14
all right, is there any interpretation of this design
15
that you have that would mean that this design shown
16
here in Exhibit 1178 is substantially the same as the
17
design of the front face of the first iPhone?
18
A
There is one interpretation that -- of -- of
19
this limited information that would make this
20
similar -- very similar to the first iPhone.
21
Q
I'm -- let's please mark as Exhibit 1179 a
22
one-page document which is a comparison of -- of three
23
phone designs.
24
25
(Document marked Exhibit 1179
for identification.)
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THE WITNESS:
2
MR. ZELLER:
Thank you.
Q.
Do you recognize the design
3
of the -- the phone that's shown here on the far
4
right?
5
6
7
8
9
A
That could be a representation of the first
iPhone.
Q
Do you recognize the design that's shown here
in the middle on Exhibit 1179?
A
Again, that could be a representation, yes,
10
of the front elevation -- an orthographic
11
representation of the first -- the first iPhone.
12
Q
Comparing the designs that are shown here in
13
Exhibit 1179, do you believe that these three designs
14
we have here on this page are -- are basically and
15
essentially the same design to one another, or do you
16
believe that they are different?
17
A
I think there is an interpretation -- as we
18
said earlier, one of many.
19
here, there is an interpretation where there are many
20
elements that could be interpreted in the same way
21
between the phone that is on my left and then the two
22
that are on the -- on the right.
23
Q
But based on these lines
And by that, do you mean that there are --
24
there's an interpretation of these -- these designs,
25
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A
Yes.
2
Q
-- these views that, from your view, make
3
them overall, in terms of their impression, to be
4
similar rather than different designs?
5
A
I'm sorry.
6
Q
Sure.
7
I'm just trying to make sure I
understand your answer.
8
9
Could you repeat that.
When you -- when you -- in your answer, when
you're talking about these --
10
A
Yes.
11
Q
-- a comparison between these designs --
12
A
Yes.
13
Q
-- overall, from their overall impression
14
that you see, based on the information that you have
15
here comparing these three designs, do you believe
16
that they create the overall same impression of
17
design, or would you consider them to be overall in
18
their impression to be different designs?
19
A
What I'm saying is that with limited
20
information, that there is an interpretation, based on
21
the information I have in front of me, that these
22
could feel like three very similar designs, or that
23
this one is very similar to -- if I interpret the two
24
on the right in the same way, that the one on the left
25
could feel very similar to the ones on the right.
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2
products that we're developing.
Q
As of the time that you began first working
3
on the iPhone design -- this first iPhone design, what
4
other manufacturer of mobile phones were you aware of?
5
6
7
A
Can you -- it would help me if you could
define what you mean by the word "aware of."
Q
Well, let me ask it this way:
I take it as
8
of the time when you started working on the -- the
9
design that resulted in the first iPhone design --
10
A
Yes.
11
Q
-- you had seen other mobile phones --
12
A
Yes.
13
Q
-- as of that time?
14
A
Yes, I had seen --
15
Q
Which ones do you remember seeing as of that
16
time?
17
A
I remember seeing a Motorola StarTAC.
I
18
remember a Sony Ericsson product.
19
remember the name -- you know, the model number of
20
that.
21
I'm afraid I can't
I remember a -- I remember a Nokia vaguely.
I think I was using a -- I think I was
22
personally using at the time a Motorola StarTAC.
23
What -- I can't recall the name.
24
from the StarTAC.
25
Q
It was developed
Was it the Razr?
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2
3
4
5
6
7
A
Yes.
I think that was the product that I was
using.
Q
Anyone -- any others that you can remember
seeing as of that time?
A
Golly, I can't remember.
Yeah, this is five
years ago now.
Q
Let me show you what was previously marked as
8
Exhibit 8, which is a copy of United States Design
9
Patent 504,889.
10
And please let me know when you've
had a chance to take a look here at Exhibit 8.
11
A
Okay.
12
Q
First, do you recognize Exhibit 8 as a U.S.
13
design patent that you're a named inventor on?
14
A
I do.
15
Q
And did you actually contribute to this
16
design?
17
A
Yes, I did.
18
Q
In your view as an inventor of this design
19
shown here in the '889 design patent --
20
A
Yes.
21
Q
-- what was new or original about it as
22
compared to other designs that were in existence?
23
MR. JACOBS:
24
THE WITNESS:
25
Objection; lacks foundation.
Could you ask me that question
more specifically, please.
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2
3
MR. ZELLER:
Q
Yeah, sure.
You understood, generally speaking, that to
obtain a design patent --
4
A
Yes.
5
Q
-- you have to have something that's new or
6
original about a design, compared to designs that are
7
already out there?
8
A
Yes.
9
Q
And in fact, you recall that when you -- you
10
signed papers --
11
A
Yes.
12
Q
-- as a design patent inventor, part of what
13
you attest to to the patent office, in other words,
14
what you swear to, is that -- that what you've created
15
is a new and original design; do you generally recall
16
that?
17
A
I -- I recall that when I signed those
18
papers, that I'm saying that I am not aware of
19
anything previously that would render this not new.
20
So yes, I remember that.
21
22
Q
And so taking a look at the design that's
depicted here in Exhibit 8 --
23
A
Yes.
24
Q
-- from your perspective as an inventor, what
25
was different or new or original about this compared
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or different from existing designs as of the time that
2
this design was created?
3
4
A
I think that -- I think that covers it in
terms of the form.
5
I think the -- the -- the construction, you
6
know, the -- this, you know, singular clear part and
7
then this singular rear casing, just the simplicity
8
of -- of how -- you know, that architecture, the
9
simplicity of that, I think, was, to me, seems --
10
seems very new, given what the product is, which is a
11
handheld tablet device.
12
Q
Can I please have the '035 mockup.
13
MR. JACOBS:
14
THE WITNESS:
15
18
Have you finished with -- can I
move these, or are you --
16
17
Yeah.
MR. ZELLER:
Q
Sure.
I'm not promising to be finished with them,
but -- but we can move them out of your way --
19
A
Let's move them out of my way.
20
Q
-- if it makes life easier for you.
21
22
MR. JACOBS:
You want to take a break while
we -- because I think this is probably a good --
23
MR. ZELLER:
24
THE VIDEOGRAPHER:
25
Yeah, this is a good time.
This is the end of
Disc No. 4, Volume I.
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1
We are off the record at 4:02 p.m.
2
(Recess taken.)
3
THE VIDEOGRAPHER:
4
This is the beginning of
Disc No. 5, Volume I.
5
We are back on the record at 4:25 p.m.
6
You may proceed.
7
MR. ZELLER:
Q.
What I'd like to show you is
8
a three-dimensional mockup of a tablet that's been
9
produced by Apple in this case, and it's generally
10
known as the 035 mockup or -- or prototype, and please
11
take a look at that.
12
Have you seen the 035 mockup before?
13
A
Yes, I have.
14
Q
And when do you remember first seeing the 035
15
16
mockup?
A
My recollection of -- of first seeing it is
17
very hazy, but it was, I'm guessing, sometime between
18
2002 and 2004, some -- but it was -- I remember seeing
19
this and -- and perhaps models similar to this when we
20
were first exploring tablet designs that ultimately
21
became the iPad.
22
23
24
25
Q
Do you recognize the 035 mockup as a mockup
that the Apple model shop produced?
A
I actually don't know which model shop
made -- made this, but I recognize this as a model
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2
that was produced during our exploration.
Q
Do you recall if the -- the group that
3
produced the actual physical model of this 035 mockup
4
was an internal group or whether it was an outside
5
vendor?
6
A
I have no -- no recollection.
7
Q
Is the 035 mockup a tablet design that you
8
9
personally worked on?
A
It was -- the best of my recollection, this
10
was a design that was modeled as a consequence of the
11
way that we work, which is as a team.
12
13
Q
Do you recognize the 03 mockup design as a
design that you, among other people, invented?
14
A
You said 03.
15
Q
'5 mockup, the physical one that you have in
16
17
front of you?
A
Yes, I recognize this as one of -- one of the
18
models that we made as part of the design process, as
19
part of the exploration.
20
Where my recollection is hazy is trying to
21
remember, you know, at what point in the exploration
22
we made this, the circumstances around making it.
23
24
25
But I certainly recognize it as a model that
we made as part of that exploration.
Q
Is the design that's shown in the
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design patent, which is marked as Exhibit 8, the same
2
design as the 035 mockup?
3
A
I think that there are many similarities.
4
Q
Apart from being able to say that there are
5
many similarities, can you tell me with any certainty
6
one way or another whether the design that's shown in
7
the '889 design patent is the same design as the 035
8
mockup?
9
MR. JACOBS:
THE WITNESS:
10
Objection; lacks foundation.
I can say confidently that
11
there are many, many elements that are represented in
12
this model that I see in our patent.
13
MR. ZELLER:
Q.
And can you tell me anything
14
beyond that with any certainty in terms of whether
15
that's the same design or not?
16
A
I think I -- I think I've done my best to
17
answer the question, which is I think there are many
18
elements that I see here that I see in our design
19
patent.
20
Q
21
models --
22
A
Yeah.
23
Q
-- of any tablet designs that were created
Are you aware of any three-dimensional
24
prior to March 17, 2004, that was closer in its
25
appearance to the design that's shown in the
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2
'889 design patent than the 035 mockup?
A
I'm not aware of any that are closer or less
3
close.
4
patent, and I can see many similarities.
5
Q
I recall this model; I, of course, recall this
Is it your best understanding that the model
6
that was created to reflect the design that's shown
7
here in the '889 design patent is the 035 mockup, or
8
is it your impression that there's another mockup that
9
was a rendition -- a three-dimensional rendition of
10
the '889 design?
11
MR. JACOBS:
Objection; lacks foundation.
12
THE WITNESS:
Yes, and I'm afraid I also
13
don't understand your question.
14
another model that reflects this.
15
You said is there
My sense is that we would make a model, and
16
then from what we learned, we would then work on
17
defining a patent, not the other way around.
18
19
MR. ZELLER:
And that's fair enough.
So let
me -- let me rephrase it.
20
Q
You have in front of you the 035 mockup.
21
A
Yes.
22
Q
And I'll tell you, that's -- that's the one
23
that we have here.
24
A
Yes.
25
Q
And so what I'm really trying to find out is:
TSG Reporting - Worldwide
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