Vargas et al v. Pfizer Inc. et al
Filing
87
DECLARATION of Christopher Keegan in Support re: 85 SECOND MOTION for Summary Judgment.. Document filed by Brian Transeau. (Attachments: # 1 Exhibit Ex B# 2 Exhibit Ex C# 3 Exhibit Ex D# 4 Exhibit Ex E# 5 Exhibit Ex F# 6 Exhibit Ex G# 7 Exhibit Ex H# 8 Exhibit Ex I# 9 Exhibit Ex J part 1# 10 Exhibit Ex J part 2# 11 Exhibit Ex K# 12 Exhibit Ex L# 13 Exhibit Ex M# 14 Exhibit Ex N part 1# 15 Exhibit Ex N part 2# 16 Exhibit Ex O# 17 Exhibit Ex P# 18 Exhibit Ex Q# 19 Exhibit Ex R# 20 Exhibit Ex S# 21 Exhibit Ex T# 22 Exhibit Ex U# 23 Exhibit Ex V)(Ahrens, Julie)
Vargas et al v. Pfizer Inc. et al
Doc. 87 Att. 16
EXHIBIT O
Dockets.Justia.com
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UNITED STATES DISTRICT COURT
FOR THE SOUTHERN DISTRICT OF NEW YORK
RALPH VARGAS and BLAND-RICKY ROBERTS,
PIa inti ffs
Ci viI
Action
No.
againstPFIZER, INC., PUBLICIS, INC"
FLUID MUSIC, EAST WEST
04CV 9772 (JCF)
COMMUNICATIONS, INC. and
BRIAN Transeau p/k/a " BT"
CERTIfiED COpy
Defendants
August 9, 2006
9:15 a.
Videotaped Deposition of
IVAN A. RODRIGUEZ , taken by Defendants,
pursuant to Notice, at the offices of Kirkland
& Ellis, 153 East 53rd Street , New York , New
York, before TAMMEY M. PASTOR, a Registered
Professional Reporter, Certified LiveNote Reporter and Notary Public within and for the
State of New York.
575 Market St
fill ~~~~~J~!.
11th Floor
San Francisco, CA 94105
tel (415) 357-4300 tel (800) 869-9132 fax (415) 357-4301
ww. merrillcorp. com
GLOBAL COURT REPORTING , LEGAL VIDEOGRAPHY . TRIAL SERVICES
IVAN
A.
RODRIGUEZ
August
2006
IVAN A. RODRIGUEZ - CONFIDENTIAL
live.
You would know it wasn t a drummer.
Even if you used samples'
Ii ve drumming?
It is not just samples, it is
the processing, the way you program
it.
The
way it comes across that is what I mean by
saying there are so many variables it is not
like two cakes, it is each individual cake is
different.
I can t reproduce that cake
wi thout real ingredients.
But your opinion is
Aparthenonia is a result of digitally moving pieces of Bust Oat Groove around; correct?
It is my opinion the record was
taken, sampled , either as a whole or in
pieces, then broken down, created , rhythm
created then roll was moved to the tail versus
the top.
Then you have yourself a
record.
But to me, in my profession and totally honest
opinion ,
around.
that record was, as we
say, flipped
Before I could commit to it
that is when I told Mr. Chin I will prove it
to you.
Then I did
it.
When I gave him the
240
LegaLink , A Merrill Communications Company
(800) 869-9132
IVAN A. RODRIGUEZ
August
2006
IVAN A. RODRIGUEZ - CONFIOENTIAL
CD he couldn t tell me which was the real one
which was Ralph' s and which was the other
gentleman.
The properties are so true nobody
can tell it flanged.
Anybody will tell you
even little kids when they want two DJs live
they play the two records at the same
time.
time.
They play the same records at the same
It is called flanging.
That can only happen
when the two items are totally
identical.
I had that happening with
Aparthenonia and the edited Bust Oat Groove
you have one on left speaker , one on right. I
kind of broke it down pretty much as simply as
possible as opposed to try to muddy it up with
a bunch of graphs.
Some stuff is very
difficult.
This is so airy, so
open.
It is
crystal clear to me.
You say flanging, what is it
that causes flanging when you play the same
song at the same time?
When you play the same sections
of the same song or same bass or same
horns,
even two crash cymbals, if they are absolutely
identical and put adj acent
to each other they
241
LegaLink , A Merrill Communications Company
(800) 869-9132
IVAN
A.
RODRIGUEZ
August
2006
IVAN A. RODRIGUEZ - CONFIOENTIAL
that purposely so it couldn t be used against
the defendant to say I did something to the
record that wasn t natural.
as it was off the vinyl.
I took it exactly
Chopped it up and
put it
in.
If you listen to it
independently you will notice a sort of
dryness to Ralph '
, Mr. Vargas
' because I
image.
didn 1
t
purposely use reverb , even though with
that there is still like a mirror
If you used digital signal
processing could you make them sound even more
alike?
I would say almost 100 percent.
Because, see, I don t know if I would have had
master s up front ,
I would have probably not
even had to do this because I can tell right
from the master s because multitrack master
shows me what you done and how you done
it.
If I had presets, if someone told me I did
reverb 23 from TC Electronic something I would have added
Corp. or
that.
I told Mr. Chin I could
probably even eventually figure it out, but it
244
LegaLink, A Merrill Communications Company
(800) 869-9132
IVAN
A.
RODRIGUEZ
August
2006
IVAN A. RODRIGUEZ - CONFIDENTIAL
would take some time.
I don t know how
long.
I would have to toy with literally thousands
of reverbs until I got the tone used before.
Even if I had like what we call a recall sheet, sometimes folks use a recall sheet when you work because you toy around with different
settings until the artist goes that'
keep notes like that.
s it.
You
He likes setting number
23 on this particular plug
in.
You keep that.
If I would have known that , I would have added
it to that.
It would have been exact.
You can use digital signal processing to make one drum loop sounds more
like another?
No.
What I am explaining if
you look at the last page of this
graph, I
one.
believe we gave you a color one or Mr. Chin
did, he initially gave in a color
I never received a color one?
The color one was easier on the
eyes, easy to explain.
same graphs.
You I re
It is basically the
referring to graph
Exhibit B to your declaration Defendant'
245
LegaLink , A Merrill Communications Company
(800) 869-9132
,:,
"--
, , .." '-"
IF
STATE OF NEW YORK
4'
; 56.
COUNTY OF NEW YORK
I, TAMMEY M . PASTOR , a Registered
Professional Reporter and Notary Public within
and for the State of New York. do hereby
certify:
That TIMOTHY M. YESSMAN, the witness
whose deposition is hereinbefore Bet forth, was
duly sworn by me and that such deposition is a
true record of the testimony given by the
witness.
I further certify that I am not
J. 7
related to any of the parties to this action by
blood or marriage, and that I am in no way
interested in the outcome of this mat
ter.
O(.
IN WITNESS WHEREOF, I have hereunto
set my hand this ay of
It=' L J5-
TAMMEY M. PASTOR
. . MH~~ M. PASTOR. RPR
.4(~
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